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Professor Wheeler's widely-acclaimed survey of the nineteenth-century fiction covers both the major writers and their works and encompasses the genres and "minor" fiction of the period. This excellent introduction and reference source has been revised for this second edition to include new material on lesser-known writers and a comprehensively updated bibliography.

The Bible and theology are contested spaces, battlegrounds where participants guard entrenched beliefs against perceived threats. But literature, observes novelist Salman Rushdie, opens the universe. It expands what we perceive and understand, and ultimately what we are. Writers make our world feel larger and more inclusive. When other forces push in the direction of narrowness, bigotry, tribalism, cultism, and war, fiction encourages understanding, sympathy, and identification with others. Reading the Margins invites readers to immerse themselves in imaginary worlds, and to pursue visions of justice and compassion. Whether stories about poverty, empire, war, or the environment, the writers considered raise moral questions and often, in the process--even unwittingly--deepen our understanding of biblical calls for kindness and mercy. Reading the Margins offers a kind of commentary on biblical ethics. Using Matthew's Beatitudes and sheep and goats parable as an organizing principle, Gilmour argues there is much to learn about Jesus's "peacemakers" and call to feed the hungry from aspirational fiction and poetry.

From action movies to video games to sports culture, modern masculinity is intrinsically associated with violent competition. This legacy has its roots in the 19th-century Romantic figure of the Byronic hero--the ideal Victorian male: devoted husband, sexual revolutionary and weaponized servant of the state. His silhouette can be traced through the works of authors like Lord Byron, Jane Austen, Sir Arthur Conan Doyle, Rudyard Kipling and Oscar Wilde. More than a literary genealogy, this history of the Byronic hero and his heirs follows the changes that masculinity has undergone in response to industrial upheaval, the rise of the middle class and the demands of global competition, from the Victorian period through the early 20th century.

Jane Austen may be undead, but she longs to let the world know who she is. Will the inimitable Austen be able to keep her cool in this comedy of manners, or will she show everyone what a woman with a sharp wit and an even sharper set of fangs can do?

A profound, funny and uplifting collection of reminiscences about a life in books, now available in a smaller, competitively priced format.

For much of her own century, Elizabeth Gaskell was recognized as a voice of Victorian convention—-the loyal wife, good mother, and respected writer—-a reputation that led to her steady decline in the view of twentieth-century literary critics. Recent scholars, however, have begun to recognize that Mrs. Gaskell's high standing in Victorian society allowed her to effect change in conventional ideology. Linda K. Hughes and Michael Lund focus this reevaluation on issues pertaining to the Victorian literary marketplace. Victorian Publishing and Mrs. Gaskell's Work portrays an elusive and self-aware writer whose refusal to grant authority to a single perspective even while she recirculated the fundamental assumptions and debates of her era enabled her simultaneously to fulfill and deflect the expectations of the literary marketplace. While she wrote for money, producing periodical fiction, major novels, and nonfiction, Mrs. Gaskell was able to maintain a tone of warmth and empathy that allowed her to imagine multiple social and epistemological alternatives. Writing from within the established rubrics of gender, narrative, and publication format, she nevertheless performed important cultural work.

"Bowen's powers of invention are so florid and his satirical touch so bright, most readers won't care who gets carted off to jail."—Kirkus Reviews When a frat boy finds himself on trial in Milwaukee, Wisconsin, for piracy on the high seas, Lawyer Rep Pennyworth suspects he's being used as an unwitting accomplice in a cheap publicity stunt. Meanwhile Rep's professor wife Melissa gets caught in the middle of a verbal firefight between two colleagues that soon escalates into burglary, theft, jury-tampering, forgery—and murder. Melissa wants to protect a naïve undergraduate who might be implicated. But when one of the other suspects makes Melissa a cast-iron alibi, her search for the truth leads through a maze of gray lies—including her own. What with an investigative reporter who's still having flashbacks to 1968, a fellow professor whose acute political correctness masks ruthless academic ambition, an engineer whose father's heart attack may have been either suicide or murder, and a brace of cunning lawyers out for blood, Rep and Melissa must combine their talents to stay off the casualty list....

This book explores the effect of Catholicism on the imagination and the fiction of Protestant novelists in England during the decades surrounding Catholic Emancipation (1829) and the reestablishment of the Roman Catholic Church in England (1850). This book examines anti-Catholicism in popular and respected novelists such as Scott and Dickens, showing the secret attraction to Catholicism of staunch anti-Catholic Protestants.