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A comprehensive survey of rarely seen collages from the master of abstraction Over the course of more than 50 years, renowned American artist Ellsworth Kelly made approximately 400 postcard collages, some of which served as exploratory musings and others as studies for larger works in other mediums. They range from his first monochrome in 1949 through his last postcard collages of crashing ocean waves, in 2005. Together, these works show an unbounded space of creative freedom and provide an important insight into the way Kelly saw, experienced and translated the world in his art. Many postcards illustrate specific places where he lived or visited, introducing biography and illuminating details that make these pieces unique among his broader artistic production. Ellsworth Kelly: Postcards is the most extensive publication of Kelly's lifelong practice of collaged postcards. Ellsworth Kelly (1923-2015) was born in Newburgh, New York. In 1948 he moved to France, where he came into contact with a wide range of classical and modern art. He returned to New York in 1954 and two years later had his first exhibition at the Betty Parsons Gallery. The Museum of Modern Art, New York, organized his first retrospective in 1973. Subsequent exhibitions have been held at museums around the world, including the Solomon R. Guggenheim Museum in New York, Tate in London, Haus der Kunst in Munich and the Centre Pompidou in Paris.

`Two superb scholars in New Testament and the early Church here show why it is vital to dig deeper into the past in order to live well in the present and enable a better future. Above all they communicate the intensity of life in the Holy Spirit in the cities where Christianity took root - a life uniting head, heart, tongue and practical action. The culminating guidelines for mission in twenty-first century pluralist settings are packed with challenging wisdom centred on the crucified, living Jesus Christ.' David F. Ford, Regius Professor of Divinity, University of Cambridge `Here is rich and varied food for the mind, repeated provocation for the curious, and much stimulus for hours of discussion. The themes are challenging: How do holiness and mission hang together? Is the city more a threat or an opportunity for Christianity? Is the church really a learning community? How do Christians best work together? What do we need to hear afresh from the Bible and the early church on what really matters? Use the book for a study group. You will benefit greatly from it, and may well be inspired to act upon what you learn.' James D. G. Dunn, former Lightfoot Professor of Divinity, University of Durham `Four strong chapters, organically grounded in the experience and teaching of the Bible and the Early Church, undergird a remarkable finale that lays bare the radical challenge to mission posed by the modern city. This is a profound, accessible and convincing book.' Leslie Griffiths, Superintendent, Wesley's Chapel, London

Evelina is a novel by Frances Burney. A vibrant, humorous, and seductive account of the delights and dangers of trendy life in late eighteenth-century London.

Frances Milton Trollope's novel follows the story of Miss Anville, a young heiress who struggles to maintain her wealth and independence against the wishes of her malicious guardian. This novel provides a thrilling narrative with a strong female protagonist challenging societal norms. Readers of romantic and classical literature will enjoy this book, which presents the voice of women in the early 19th century. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In October 1517 Martin Luther famously nailed his 95 theses to the door of All Saints Church in Wittenberg. Historians have questioned whether this dramatic event occurred in quite this way, but however they were made, Luther's protestations against what he regarded as the corrupting influences of Roman Catholicism (especially the trade in indulgences) were the sparks that fired up the Protestant Reformation. Spreading throughout much of Europe, it changed the face of religious belief and practice for millions of Christians in ways that have proved to be both beneficial and divisive. These talks, which were originally held at St. Peter's Methodist Church in Canterbury between September and October 2017, focused on five central themes of the Reformation that were the subject of intense and passionate debate.

Poetry written by Ellen Young.

Discusses family history, childhood experiences, schooling, and the LDS Church in Arizona.

How did Scripture function in early arguments about doctrine? Historical criticism has revealed a gap between Scripture and the mainstream doctrines that define Christianity today. Not the least of these are the Trinity and two natures of Christ--widely accepted since the fifth century, but seemingly unfounded in historical readings of Scripture. How did these dogmas become so integral to the faith in the first place? Frances M. Young tackles this monumental question in a culmination of decades of biblical and patristic research. The second of two volumes, Scripture in Doctrinal Dispute illuminates the role of biblical hermeneutics in the debates that forged Christian dogma on the nature of God. Young shows how the theological commitments to God as the sole creator of all else from nothing shaped fourth- and fifth-century disputes over Christology and the Trinity. Played out in the great councils of the fourth century and beyond, these conflicts drove the need to discern doctrinal coherence in Scripture. The different sides relied on different prooftexts, and the rule of faith served as the criteria by which scriptural interpretation was measured--thereby forming the basis of the creeds. Nuanced and ecumenical, Scripture in Doctrinal Dispute completes Young's magnum opus, closing the gap between Scripture and Christian tradition. Young's magisterial study holds widespread implications for not only patristics but also exegesis and systematic theology.