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A new entry in the critically acclaimed Caine Riordan science fiction series by three-time Nebula nominee Charles E. Gannon! Science fiction on a grand scale. Prequels Raising Caine, Trial by Fire and Fire with Fire were all Nebula Award finalists. Charles E. Gannon is also the winner of the Compton Crook Award. Caine Riordan, fresh from serving as envoy to the aliens known as the Slaasriithi, has been given yet another daunting task: apprehend raiders that are terrorizing a distant planet. As difficulties mount, Caine becomes aware that the mission his superiors sent him to perform may not be the one they actually hope he will achieve. Which means Caine may be forced to choose between honoring a promise to friends or following orders—a choice that could ultimately put him in front of a board of inquiry. Or a firing squad. At the publisher's request, this title is sold without DRM (Digital Rights Management). About Raising Caine: "Raising Caine unveils a lot of thought-provoking ideas but ultimately this is a space opera adventure. There are space battles, daring emergency landings, desperate quests, hand-to-hand combat, and double-and-triple crosses. It’s an engrossing read. You owe it to yourself to read the two previous books in order. Then enjoy Raising Caine. It’s an intergalactic thrill-ride."—Fantasy and Science Ficton Book and Audiobook Reviews "This is science-fiction adventure on a grand scale."—Kirkus "Gannon’s harrowing . . . military space opera (following Trial by Fire) builds well on his established setting . . . Gannon’s signature attention to developing realistic alien worlds makes this installment satisfying."—Publishers Weekly “. . . an incredibly active book . . . as our protagonists are confronted by the beautiful, terrible, and sometimes lethal variety of the universe and its inhabitants. . . . a whole mess of fun . . . that manages to be scientifically accurate while refraining from excessive wonkiness. Those who value meticulous world-building . . . will certainly have their needs met.”—BN Sci-Fi and Fantasy Blog About Nebula-nominated second entry, Trial by Fire: “I seriously enjoyed Trial by Fire. This one’s a tidal wave—can’t put it down. An excellent book.” —Jack McDevitt on the prequel "Gannon's whiz-bang second Tales of the Terran Republic interstellar adventure delivers on the promise of the first (Fire with Fire) . . . The charm of Caine's harrowing adventure lies in Gannon's attention to detail, which keeps the layers of political intrigue and military action from getting too dense. The dozens of key characters, multiple theaters of operations, and various alien cultures all receive the appropriate amount of attention. The satisfying resolution is enhanced by the promise of more excitement to come in this fascinating far-future universe."—Publishers Weekly Starred Review " . . . definitely one to appeal to the adventure fans. Riordan is a smart hero, up against enormous obstacles and surrounded by enemies. Author Gannon does a good job of managing action and tension to keep the story moving, and the details of the worlds Riordan visits are interesting in their own right.."—Analog " . . . offers the type of hard science-fiction those familiar with the John Campbell era of Analog Science Fiction will remember. Gannon throws his readers into an action-packed adventure. A sequel to Fire With Fire, it is a nonstop tale filled with military science-fiction action." —Daily News of Galveston County About Compton Crook Award-winner for best first novel,Fire with Fire: “Chuck Gannon is one of those marvelous finds—someone as comfortable with characters as he is with technology, and equally adept at providing those characters with problems to solve. Imaginative, fun, and not afraid to step on the occasional toe or gore the occasional sacred cow, his stories do not disappoint.”—David Weber "If we meet strong aliens out there, will we suffer the fate of the Aztecs and Incas, or find the agility to survive? Gannon fizzes with ideas about the dangerous politics of first contact.”—David Brin "The plot is intriguing and then some. Well-developed and self-consistent; intelligent readers are going to like it."—Jerry Pournelle "[T]he intersecting plot threads, action and well-conceived science kept those pages turning."—SF Crowsnest About Starfire series hit, Extremis, coauthored by Charles E. Gannon: “Vivid . . . Battle sequences mingle with thought-provoking exegesis . . . ”—Publishers Weekly "It’s a grand, fun series of battles and campaigns, worthy of anything Dale Brown or Larry Bond ever wrote." —Analog About Charles E. Gannon: "Chuck Gannon writes the kind of science fiction we all grew up on: rousing, mind-expanding, pulse-pounding sagas of spaceships and aliens. He's a terrific writer, and we're lucky to have him."—Robert J. Sawyer, Hugo and Nebula award winning author of Quantum Night and Flashforward "[A] strong [writer of] . . . military SF . . . [much] action going on in his work, with a lot of physics behind it. There is a real sense of the urgency of war and the sacrifices it demands." —Locus

The world has become more interconnected over the past few decades. Against this backdrop, economic and financial contagion following adverse shocks can have a severe impact on the global economy. How systemic can the effects of contagion be? What specific transmission channels are involved? What is their relative importance? We address these questions using a multilayered global network model of contagion that simulates the impact of sovereign debt default on the global economy. We also develop a measure of global systemic risk and use bank stress testing techniques to quantify the systemic impact of the shock and the extent of contagion on the global economy. Our model shows that economic and financial contagion are highly non-linear, and many bystander economies can experience significant negative effects as the initial default is spread through the network. This suggests that many economies might be systemically more important than what conventional measures of size or openness might suggest.

A handbook for information about the 108th Congress and it's members including current photo's, phone numbers, biographical data, committee assignment, key staff information. White House Staff and selected editorial agencies

Venezuela is the seventh largest oil producer and holder of the largest proven reserves in the world. It’s also a country full of problems, as evidenced by having the biggest inflation rates and, by some estimates the highest crime rates worldwide. Despite having an oil boom between 2004 through 2008 with income of around two billion dollars, in 2016 it suffered an immense economic contraction and probably the largest supply shortcut crisis in its history. This third edition of Historical Dictionary of Venezuela contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Venezuela.

This is the first detailed comparative study of patronage as an instrument of power in the relations between kings and bishops in England and Normandy after the Conquest. Esteemed medievalist Everett U. Crosby considers new perspectives of medieval state-building and the vexed relations between secular and ecclesiastical authority.

Jonathan E. Calvillo explores the rise of Hip Hop on the West Coast and the integral role the Los Angeles Latine community had on the movement - and in turn, Hip Hop's impact on Latines as it became a space for community, expression, and coping with inequality. Building his narrative around interviews and oral histories, he explores how incoming migrants, local-born Latines, and other minoritized populations joined Black Americans in the 1980s to build early underground sites of Hip Hop innovation, contributing to the genre's global expansion. The book details how Hip Hop's deep impact on Latines was based in part on the inequality, marginalization, and injustice that many Latines of this era faced - themes which were addressed in the movement. Many creatives from Brown Los Angeles found their place in early underground expressions of Hip Hop, including in breaking, rhyming, DJing, and graffiti elements. During this period, Central American refugees were settling in the urban corridors of the region, young Chicanos were coming of age in the post-civil rights era, Caribbean migrants moved from East to West, South American immigrants were finding their place, and Latines were interacting with Black Americans and other minoritized populations such as ethnic Samoans, Filipinos, and Koreans. Through the lens of Los Angeles Hip Hop history, this project speaks to the migratory flows of urban Brown Los Angeles, the relations between Black Americans and Latines in Los Angeles, and the formation of the racialized subcultures emblematic of urban Los Angeles. In documenting this story, the book sidesteps a media-heavy, music-industry account of Hip Hop history. Instead, it privileges original oral histories and secondary accounts of dozens of artists, to present a grassroots oriented narrative of the intraethnic, interracial negotiations that fueled Latines' identification with and contributions to Hip Hop.

Catholicism has long been the dominant religion among ethnic Mexicans in the U.S. Recent shifts, however, have challenged the traditional association between Mexican ethnicity and Catholicism. Evangelical Protestantism has emerged as a notable alternative of ethnic identity expression for ethnic Mexicans. This book takes readers into the thriving Mexican-majority neighborhoods of Santa Ana, California, a city once dubbed the hardest place to live in the U.S. There, Jonathan E. Calvillo explores how religious practices permeate the fabric of everyday social interactions for Mexican immigrants. How does faith shape these immigrants' sense of ethnic identity? To answer this question, The Saints of Santa Ana compares the experiences of Catholic and Evangelical Mexican immigrants-the two largest religious groupings in the city. Drawing on five years of participant observation and in-depth interviews, this book argues that religious affiliations set Catholics and Evangelicals along diverging trajectories with regard to ethnic identity. In particular, Calvillo argues, Catholics and Evangelicals have differing perspectives on collective memory and ethnic community. The Saints of Santa Ana offers a rich portrait of a fascinating American community.

Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.

A history of the Black Power movement in the United States traces the origins and evolution of the influential movement and examines the ways in which Black Power redefined racial identity and culture. With the rallying cry of "Black Power!" in 1966, a group of black activists, including Stokely Carmichael and Huey P. Newton, turned their backs on Martin Luther King's pacifism and, building on Malcolm X's legacy, pioneered a radical new approach to the fight for equality. [This book] is a history of the Black Power movement, that storied group of men and women who would become American icons of the struggle for racial equality. In the book, the author traces the history of the men and women of the movement, many of them famous or infamous, others forgotten. It begins in Harlem in the 1950s, where, despite the Cold War's hostile climate, black writers, artists, and activists built a new urban militancy that was the movement's earliest incarnation. In a series of character driven chapters, we witness the rise of Black Power groups such as the Student Nonviolent Coordinating Committee and the Black Panthers, and with them, on both coasts of the country, a fundamental change in the way Americans understood the unfinished business of racial equality and integration. The book invokes the way in which Black Power redefined black identity and culture and in the process redrew the landscape of American race relations.

Reclaiming the notion of literature as an institution essential for reflecting on the violence of culture, history, and politics, Violence and Naming exposes the tension between the irreducible, constitutive violence of language and the reducible, empirical violation of others. Focusing on an array of literary artifacts, from works by journalists such as Elena Poniatowska and Sergio González Rodríguez to the Zapatista communiqués to Roberto Bolaño's The Savage Detectives and 2666, this examination demonstrates that Mexican culture takes place as a struggle over naming—with severe implications for the rights and lives of women and indigenous persons. Through rereadings of the Conquest of Mexico, the northern Mexican feminicide, the Zapatista uprising in Chiapas, the disappearance of the forty-three students at Iguala in 2014, and the 1999 abortion-rights scandal centering on “Paulina,” which revealed the tenuousness of women’s constitutionally protected reproductive rights in Mexico, Violence and Naming asks how societies can respond to violence without violating the other. This essential question is relevant not only to contemporary Mexico but to all struggles for democracy that promise equality but instead perpetuate incessant cycles of repression.