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The Witching Hour
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An Examination of the Works of Dance Sinfonia by Dennis W. Fisher, Linden Lea, by Ralph Vaughan Williams, Arranged by John W. Stout, Strawflower, by Ralph Hermann, Emperata Overture, by Claude T. Smith, and Foshay Tower Washington Memorial March, by John Philip Sousa, Edited by Daniel Dorff
This document is comprised of research and analysis of the comprehensive examination of the graduate conducting recital of Shawn Michael Knopp. This recital was performed by the Smoky Valley High School Concert Band, on February 27, 2009, at the Century II Concert Hall in Wichita, Kansas. The examined repertoire for the recital includes Dance Sinfonia, by Dennis W. Fisher, Linden Lea, by Ralph Vaughan Williams, arranged by John W. Stout, Strawflower, by Ralph Hermann, Emperata Overture by Claude T. Smith, and Foshay Tower Washington Memorial March by John Philip Sousa, edited by Daniel Dorff. This document contains theoretical and historical analysis and outlines the method of planning and preparing a graduate conducting recital according to the Blocher, Miles and Tracz formats.
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A Year in the Life of Death
A Year in the Life of Death
When Shawn Levy had the notion to write a poem each day for a year, inspired by the obituary pages of The New York Times, he had no way of knowing that the year in question, 2016, would claim so many of the world's most iconic figures. His project became, in effect, a vehicle for surveying the breadth of the twentieth century: Titans from all fields of endeavor, lives that contained one quirky but insoluble achievement, and people who had special significance in his own life. From Nancy Reagan to Muhammad Ali, David Bowie to Arnold Palmer, Prince to Janet Reno, Antonin Scalia to Mary Tyler Moore, and including a Black Miss America, an obsessive weather reporter, the nurse famously kissed by a sailor on VJ Day, the man who put the “@” in your email address, and the last man to walk on the moon, the lives recollected in these one hundred poems provoke compassion, sorrow, outrage, surprise, nostalgia, even laughter. “This book is a wailing song, with side eye when and where you need it. These poems are a resuscitation of art and heart.” —Lidia Yuknavitch, author of Verge “... a staggering symphony of lives, with parallels to Michael Lesy's Wisconsin Death Trip and Jim Carroll's 'People Who Died,' ...” —Ed Skoog, author of Run the Red Lights “I'm grateful to Shawn Levy for reminding me what a generous, evocative exchange the newspaper obituary can be.” —Elena Passarello, author of Animals Strike Curious Poses “With his gimlet eye and big heart, Levy takes us on a backstage tour of our own popular culture.” —Dobby Gibson, author of Little Glass Planet “... moving and insightful ... a striking montage ...” —Juan Delgado, author of Vital Signs
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Watermen of Reedville and the Chesapeake Bay
Watermen of Reedville and the Chesapeake Bay
The story of Reedville, Virginia, is linked to the commercial fishing industry that developed in the late 19th century. In 1874, Elijah Reed transferred his menhaden fishing operation from Brooklin, Maine, to the Chesapeake Bay. He purchased the land on Cockrell's Creek that is now Reedville. The industry flourished, especially in the early part of the 20th century. Today, Reedville is one of the major ports for the landing of commercial fish in the United States, second only to Kodiak, Alaska. This Northern Neck area of Virginia has a deep history dating back to Jamestown, and this book adds another chapter in retelling its past by providing unique photographs that have never been previously published.
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