Search

This second edition includes an updated bibliography.Astley's signature is a highly allusive, layered and self-conscious prose style, non-linear and open-ended (Gillian Whitlock, JASAL: Journal of Association for the Study of Australian Literature, 6, 2007, p. 154.)The essays offer insights into issues of language, art, gender and religion ... as well as Astley's evolving body of writing and the historical and literary context of her work (Lyn Jacobs, Australian Literary Studies v.23, n.3, 2008, p.358).

One of the most popular and controversial scientists of the 20th century, Hans Eysenck had a major impact on psychology and society. Who was this charismatic and sometimes divisive figure, and why is he so relevant to science in the 21st century? Hans Eysenck (1916 – 1997) was a key figure in psychology, and his legacy still provokes varied and passionate responses. With interests that ranged from personality and intelligence to sex and violence in the media, Eysenck was unafraid to tackle contentious subjects of social and political importance. In the centenary of Eysenck's birth, Philip Corr explores the life and research of this contradictory and intriguing psychologist. With access to some of the people that were closest to Eysenck during his lifetime, Corr considers the scientific and historical contexts and assesses the continuing relevance of Eysenck's work.

'A riveting story of deception and corruption' Daily Mail 'A must for all Italy lovers' David Hewson Even the most beautiful city on earth has a dark side . . . It is November 2nd, 2017. All Souls Day. On the Day of the Dead, the citizens of Venice make their way to the cemetery island of San Michele to pay their respects to the departed. When an empty coffin is unearthed in the English section of the graveyard, a day of quiet reflection for Nathan Sutherland becomes a journey into the dark past of a noble Venetian family. A British journalist, investigating the events of forty years previously, disappears. A young tourist - with an unhealthy interest in Venice's abandoned islands - is found drowned in the icy lagoon. A terrible secret is about to be brought to light, and a deadly reckoning awaits on Venice's Isle of the Dead. Praise for Philip Gwynne Jones 'I devoured all Philip's novels and felt transported to Venice with a new intimacy' Val McDermid 'An unputdownable thriller' Gregory Dowling 'Pure pleasure' Literary Review 'Clever and great fun' The Times 'An irresistible concoction of crime and culture' Daily Mail 'Superb - always gripping, beautifully constructed and vivid' Stephen Glover 'Sinister and shimmering . . . as haunting and darkly elegant as Venice itself' L. S. Hilton, bestselling author of Maestra 'Gwynne Jones' entertaining take on his beloved Venice is as delightful as a Spritz by the Rialto - a must for all Italy lovers' David Hewson 'It is no surprise to find that Philip Gwynne Jones lives in Venice... art and architecture interweave into a story that builds to an almost surreal climax' Daily Mail 'The Venetian setting is vividly described' Literary Review 'Un-put-downable . . . If you love Venice, you'll love this because you'll be transported there in an instant. If you've not been to Venice, read this book and then go' Reader reviewer, 5 stars

This popular title combines breadth of coverage with readability and sets out the principal points of criminal law in a systematic and thorough way. This edition includes the most recent legislative and case law developments.

The author's departure from his beloved Fijian Service to become Bursar of Rugby School was heart-rending for him. However, a major factor in his decision was the chance to see more of his older brother, the novelist C.P. Snow. Philip himself was a character in three of his brother's novels and as his brother's reputation grew (not only as a novelist but also as a minister in Harold Wilson's government and later, in the House of Lords) new opportunities were opened to Philip. So his story reads like a social history from the 1950s onwards, since he found himself rubbing shoulders with eminent figures from a variety of fields - cricket, arts and letters, politics, the armed services, the law, academia and royalty.

"Stalking the U-Boat recounts the vital but untold story of the U.S. Army Air Forces' antisubmarine operations against German U-boats during the crisis of the Battle of the Atlantic in late 1942 and 1943. During this period, the 479th and 480th USAAF Antisubmarine Groups, deployed to England and North Africa, worked with the Royal Air Force to stop German Admiral Doenitz's raiders before they could prey on Allied commerce and supply routes in the shipping corridors of the North Atlantic." "Although the Americans scored some notable successes against U-boats, the Luftwaffe would become by mid-1943 a major enemy contesting the air over the Bay of Biscay and off the coast of Portugal. By the end of 1943, the U.S. Navy assumed sole American responsibility for antisubmarine warfare, but not before USAAF planes and men had made a distinctive contribution to the battle at sea."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Rich in detail but vigorous, authoritative and unsentimental, A History of Modern Wales is a comprehensive and unromanticised examination of Wales as it was and is. It stresses both the long-term continuities in Welsh history, and also the significant regional differences within the principality.

The core of this book is a detailed examination of 100 British self-portraits in the remarkable Ruth Borchard Collection. The earliest include works by Raymond Coxon, Ithell Colquhoun, Carel Weight and Anne Redpath from the first half of last century, but most are from the 1950s and 60s, helping evoke an entire period in British art and its myriad developing strands. All kinds of artistic influences are to be seen here - art school academicism, Camden Town, Expressionism, the Euston Road School, Kitchen Sink, continental Existentialism. The Collection is full of revelations of once relatively obscure artists who have gone on to become critically appreciated, along with artists of stature who have been unfairly neglected. Each portrait is accompanied by a text discussing the work in some detail, the artist's background and development and any relevant writings. In all, self-portraits by 220 artists are illustrated, mainly in color.