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At 29, Julie Barenson is too young to give up on love. Four years after her husband's tragic death, she is finally ready to risk giving her heart to someone again. But to whom? Should it be Richard Franklin, who is handsome and sophisticated and treats her like a queen, or Mike Harris, who is Julie's best friend in the world, though not as debonair? Now, with a decision that should bring her more happiness than she's had in years, Julie's life is about to become a living nightmare, as one man's jealousy spins into a deadly obsession.

Sam Taylor knows he should be content with his life; with a high-flying career in the city and a beautiful fiancée, his lot is better than most. But he can't help but feel something is missing. When Sam meets enigmatic American Kay at a Cotswolds wedding as he holds out his umbrella for her in the pouring rain, he believes he has found someone who completes him. Throwing caution to the wind, Sam decides to risk everything and pursue Kay across the Atlantic to her native New York and the home she shares with her husband, Chris. Nicholas Hogg's novel is a taut and highly charged story of passion and adultery. Set against the backdrop of the financial crisis, The Hummingbird and the Bear follows a powerful and illicit love from England to New York, from the known to the unknown. Both shocking and delightful, it confirms Hogg's position among the finest of today's young writers. Praise for his previois novel Show Me the Sky: "An assured and gripping debut." BBC Radio 3. "Hogg performs a full range of literary circus feats... leading his reader on an exotic journey." Adelaide Advertiser. Like a four-part harmony, Hogg balances these voices, strengthening the book's message of staying true to one's roots. Sunday Herald "His subtle and clever novel weaves together five different narrative strands... plotted so artfully." The Big Issue.

Exploitation is a globally pervasive phenomenon. Slavery, serfdom, and the patriarchy are part of its lineage. Temporary and sex workers, commercial surrogacy, precarious labour contracts, sweatshops, and markets in blood, vaccines or human organs, are some contemporary manifestations of exploitation. What makes these exploitative transactions unjust? And is capitalism inherently exploitative? This book offers answers to these two questions. Nicholas Vrousalis argues that exploitation is a form of domination, self-enrichment through the domination of others. On the domination view, exploitation complaints are not, fundamentally, about harm, coercion or unfairness. Rather, they are about who serves whom and why. Exploitation, in a word, is a dividend of servitude: the dividend the powerful extract from the servitude of the vulnerable. Vrousalis claims that this servitude is inherent to capitalist relations between consenting adults whereby capital is monetary control over the labour capacity of others. It follows that capitalism, the mode of production where capital predominates, is an inherently unjust social structure.

Nicholas Ellis examines the interplay present in early Jewish literature between authors' theological assumptions on divine agency in evil and their readings of biblical testing narratives. Ellis takes as a starting point the Epistle of James , and compares this early Christian work against other examples of ancient Jewish interpretation. Ellis shows how varying perspectives on the divine, satanic, and human roles of testing exercised a direct influence on the interpretation of popular biblical testing narratives such as Abraham and Isaac, Job, and the Trials in the Wilderness. Read in light of the broader Jewish literature, Ellis argues that the theology and hermeneutic found in the Epistle of James as such relate to divine testing are closely paralleled by the so-called 'Rewritten Bible' tradition. Within James' cosmic drama, God stands as righteous judge, with the satanic prosecutor indicting both divine integrity and human religious loyalty.

This book is intended for students of religion and others who seek an introduction to Judaism.

Beginnings, 1913-1930 -- University of North Carolina, 1930-1934 -- University of Michigan, 1934-1936 -- Study in Europe: Salzburg, summer 1936 -- Study in Europe: Leipzig, 1936-1937 -- Study in Europe: Prague, 1937 -- Mozart festivals, Asheville, North Carolina, 1937-1941 -- University of Michigan again and Grand Rapids Symphony Orchestra, 1937-1942 -- United States Army, 1942-1946 -- Juilliard School of Music, 1946-1947 -- Cincinnati Symphony Orchestra (1), 1947-1950 -- Early American Moravian music festivals, 1950-1974 -- Cincinnati Symphony Orchestra (2), 1950-1953 -- Peninsula music festivals, 1953-1974 -- Cincinnati Symphony Orchestra (3), 1953-1958 -- Northwestern University, 1958-1964 -- Interlochen Arts Academy, 1964-1967 -- Nashville Symphony Orchestra, 1967-1975 -- Appendix. Premieres conducted by Thor Johnson -- Note on the Peninsula Music Festival.

This is a book about God and gods, Spirit and spirits, prayer and sacraments, ghosts and resurrection, Jesus and the church. It grows out of immersion in Catholic and Anglican traditions and acute awareness of abuses in their name. It is an honest and personal exploration of what still holds up and what has had to be discarded.

Since 1973, Galois Theory has been educating undergraduate students on Galois groups and classical Galois theory. In Galois Theory, Fourth Edition, mathematician and popular science author Ian Stewart updates this well-established textbook for today's algebra students. New to the Fourth EditionThe replacement of the topological proof of the fundame