Monsters, Machines, and Madness
This dissertation examines the themes of monsters, machines, and madness in plays that Alfonso Sastre wrote over two decades (1982--2002). In the six chapters that comprise this study, ten plays are at the core. The theories of Hutcheon, Hayles, Kracauer, Lyotard, Jameson, Todorov, Foucault, and Freud among others are applied to understanding the themes central to the plays. The dramatic and theoretical contributions of Artaud, Brecht, Pirandello, Piscator, and Weiss and their way of influencing the content of Sastre's plays are also mentioned.