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This work focuses on rural community versions of Spanish Early Modern Theatre and deals with cultural heritage and the contemporary impact of Golden Age theatre on local rural communities. To this end, I examine the burgeoning of annual rural Golden Age theatre festivals that generate site-centered, non-professional productions of the plays, and revisit the conflict between tradition and innovation, between popular and high culture between authority of literary heritage and the people's right to the canon. The selection of Early Modern plays set in actual Spanish communities—Fuenteovejuna, El Alcalde de Zalamea, Numancia and Los tres blasones de España—renders an overview of the effect of these important works on their respective communities and focuses on the theatrical festivals as peripheral, subaltern, hybrid cultural phenomena. I take into consideration not only traditional and significant studies on these four renowned plays, but recent theories on staging, performance and popular reception and agency. The research involved crosses traditional disciplinary boundaries between literature, history, geography, and politics by centering on the appropriation and re-examination of a past that is continuously revised through contemporary performance, and which is adjusted to fit the needs and desires of the context in which it is interpreted. This diachronic approach allows for a new perspective on contemporary performances which question cultural politics, redefine tradition and transcend geo-political boundaries.

La presente Versión 2000 es una nueva edición de la Historia general de México, preparada por el Centro de Estudios Históricos de El Colegio de México. En esta ocasión se incorporan, por primera vez desde la aparición original de la obra en 1976, varios cambios importantes, entre los que destacan la sustitución de algunos capítulos y la revisión y actualización de otros. Los capítulos sustituidos o renovados profundamente incluyen una amplia variedad de temas: las regiones de México, la prehistoria, el mundo mexica, el siglo XVI, el siglo XVIII, las primeras décadas del México independiente, la cultura mexicana del siglo XIX y la política y economía del México contemporáneo. Los capitulos correspondientes a estas temáticas han sido reescritos o modificados por autores que figuraban ya en la edición original: Bernardo García Martínez, José Luis Lorenzo, Pedro Carrasco, Enrique Florescano, Josefina Z. Vázquez, José Luis Martínez y Lorenzo Meyer.

“A beautiful work . . . certain to become the standard work in English on the Spanish sailing navy.” —Seaways’ Ships in Scale This book is the latest contribution to a unique series in a common format documenting in great detail the warships of the major naval powers during the age of sail. To date, four volumes have covered the British Navy, two have been devoted to the French Navy and one each to the Dutch and Russian Navies. This volume on the Spanish Navy, for much of its history the third largest in the world, fills the final gap in the ranks of the major maritime powers. This book is the first comprehensive listing of these ships in English and covers the development of all the naval vessels owned or deployed by Spain during the period of the Bourbon monarchy from 1700 to 1860 (including the period of French control during the Napoleonic Wars), but it also sets the scene for that period by summarizing the origins of Spanish naval development under the preceding Habsburg regime. As with previous volumes in the series, the main chapters list all the naval vessels from 1700 onwards (including those 16th-century ships which survived into the new regime in 1700) by type, with the first chapters listing the ships of the line (navíos in Spanish terminology) and frigates in descending order of firepower, and subsequent chapters covering minor and ancillary vessels. Where available, a brief service history of each individual ship is given. Its publication is of the utmost importance to every naval historian and general reader interested in the navies of the sailing era.

INTERNATIONAL BESTSELLER • 2 MILLION+ COPIES SOLD WORLDWIDE “Workers looking for more fulfilling positions should start by identifying their ikigai.” ―Business Insider “One of the unintended—yet positive—consequences of the [pandemic] is that it is forcing people to reevaluate their jobs, careers, and lives. Use this time wisely, find your personal ikigai, and live your best life.” ―Forbes Find your ikigai (pronounced ee-key-guy) to live longer and bring more meaning and joy to all your days. “Only staying active will make you want to live a hundred years.” —Japanese proverb According to the Japanese, everyone has an ikigai—a reason for living. And according to the residents of the Japanese village with the world’s longest-living people, finding it is the key to a happier and longer life. Having a strong sense of ikigai—where what you love, what you’re good at, what you can get paid for, and what the world needs all overlap—means that each day is infused with meaning. It’s the reason we get up in the morning. It’s also the reason many Japanese never really retire (in fact there’s no word in Japanese that means retire in the sense it does in English): They remain active and work at what they enjoy, because they’ve found a real purpose in life—the happiness of always being busy. In researching this book, the authors interviewed the residents of the Japanese village with the highest percentage of 100-year-olds—one of the world’s Blue Zones. Ikigai reveals the secrets to their longevity and happiness: how they eat, how they move, how they work, how they foster collaboration and community, and—their best-kept secret—how they find the ikigai that brings satisfaction to their lives. And it provides practical tools to help you discover your own ikigai. Because who doesn’t want to find happiness in every day? What’s your ikigai?

Resumen de la tesis doctoral de la autora investigando técnicas para enseñar el léxico de la lengua española a estudiantes extranjeros.

Rafael y Manuel García Hispaleto reúnen a través de su biografía y de su obra todos los ingredientes que configuran la España artística desde la época Isabelina hasta la Restauración borbónica y la pintura desde el romanticismo hasta las nuevas corrientes de finales de siglo. Se trata de dos pintures cuyo eclecticismo, producto de una formación artística entre Sevilla y Madrid, entre París y Roma, entre la tradición y la modernidad, dió forma a una abundante y variada producción.