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Elizabeth Joy Peyton (b.1965) is one of the preeminent artists working today. She paints still lifes and landscapes, but above all, portraits: of friends, lovers, heroes, admirations, inspirations and fascinations. Her subjects include artists, activists, actors, athletes, dancers, musicians, queens, princes, politicians and poets. Captured from life, memory, literature and imagination, through found images and photographs, amongst many things her art explores love, individuality, beauty and the passing of time. - This book accompanies a major exhibition at the National Portrait Gallery, devoted to the work of Elizabeth Peyton and is created in close collaboration with the artist. Featuring key examples of her work - it will look at the evolution of Peyton's practice, exploring her unique aesthetic and her interrogation of perception, emotion and human relationships. - The exhibition catalogue explores the development of Peyton's art from the 1990's to the present day, with a particular focus on the last ten years, whilst situating her work within the context of the historic genre of portraiture. Alongside an essay from the curator, Lucy Dahlsen, this book will feature essays by Dr Nicholas Cullinan and Thomas Crow.

Plagued by geographic isolation, poverty, and acute shortages of health professionals and hospital beds, the South was dubbed by Surgeon General Thomas Parran "the nation's number one health problem." The improvement of southern, rural, and black health would become a top priority of the U.S. Public Health Service during the Roosevelt and Truman administrations. Karen Kruse Thomas details how NAACP lawsuits pushed southern states to equalize public services and facilities for blacks just as wartime shortages of health personnel and high rates of draft rejections generated broad support for health reform. Southern Democrats leveraged their power in Congress and used the war effort to call for federal aid to uplift the South. The language of regional uplift, Thomas contends, allowed southern liberals to aid blacks while remaining silent on race. Reformers embraced, at least initially, the notion of "deluxe Jim Crow"--support for health care that maintained segregation. Thomas argues that this strategy was, in certain respects, a success, building much-needed hospitals and training more black doctors. By the 1950s, deluxe Jim Crow policy had helped to weaken the legal basis for segregation. Thomas traces this transformation at the national level and in North Carolina, where "deluxe Jim Crow reached its fullest potential." This dual focus allows her to examine the shifting alliances--between blacks and liberal whites, southerners and northerners, activists and doctors--that drove policy. Deluxe Jim Crow provides insight into a variety of historical debates, including the racial dimensions of state building, the nature of white southern liberalism, and the role of black professionals during the long civil rights movement.

Born in 1922, Kenny Thomas Sr. has been a trapper, firefighter, road builder, river-freight hauler, and soldier. Today he is a respected elder and member of a northern Athabaskan tribal group residing in Tanacross, Alaska. As a song and dance leader for the Tanacross community, Thomas has been teaching village traditions at an annual culture camp for more than twenty years. Over a three-year period, folklorist Craig Mishler conducted a series of interviews with Thomas about his life experiences. Crow Is My Boss is the fascinating result of this collaboration. Written in a style that reflects the dialogue between Thomas and Mishler, Crow Is My Boss retains the authenticity of Thomas's voice, capturing his honesty and humor. Thomas reveals biographical details, performs and explains traditional folktales and the potlatch tradition, and discusses ghosts and medicine people. One folktale is presented in both English and Tanacross, Thomas's native language. A compelling personal story, Crow Is My Boss provides insight into the traditional and contemporary culture of Tanacross Athabaskans in Alaska.

Medicine man and Sun Dance chief Thomas Yellowtail is a pivotal figure in Crow tribal life. As a youth he lived in the presence of old warriors, hunters, and medicine men who knew the freedom and sacred ways of pre-reservation life. As the principal figure in the Crow-Shoshone Sun Dance religion, Yellowtail has preserved traditional values in the face of the constantly encroaching, diametrically opposed values of materialistic modern socity. Through his life story and description of the Sun Dance religion we can reexamine the premises and orientations of both cultures.

Thomas H. Leforge was "born an Ohio American" and chose to "die a Crow Indian American." His association with his adopted tribe spanned some of the most eventful years of its history--from the Indian Wars to the reservation period—and as interpreter, agency employee, chief of Crow scouts for the 1876 campaign (he was with Terry at the Little Big Horn), bona fide Crow "wolf," and husband of a Crow woman, he was usually in the midst of the action. His story, first published in 1928, remains a remarkably accurate source of historical and ethnological information on this relatively little known tribe.

New York Times–Bestselling Author of The Last Raven: Two British intelligence veterans race to stop lethal weapons from falling into dangerous hands . . . Andrew Babbington has gone over to the enemy, working on industrial espionage for the KGB. But between the impatient Russians who want to get their hands on some advanced tech, and the British intelligence specialists who’ve trained their sights on the manufacturers who supply them, his efforts could fall apart at any moment—especially after the discovery of a downed plane in the Namibian desert, and the illicit cargo it was carrying. Now, Sir Kenneth Aubrey and Patrick Hyde of MI6 are working off a tip about some shady businessmen with access to terrifying weapons. They’re willing to sell to the highest bidder—no matter how disreputable. To prevent the deaths of innocent people, the seasoned warriors must spring into action. The geopolitical landscape may be shifting in unpredictable ways, but Aubrey and Hyde know that some things never change—including greed . . . Praise for Craig Thomas’s thrillers “Lively, straightforward action.” —Kirkus Reviews (starred review) “The last word in espionage thrillers.” —The Pittsburgh Press

Tom Leforge was a legend in his time. Interpreter and scout, he lived among the Crow Indians, as a Crow, for decades. If not for a broken collar bone, Leforge would have been with the six Crow scouts that accompanied General George Armstrong Custer to the Little Bighorn. Instead, he watched from a hospital wagon as the troops marched off to their destiny. Days later, he interpreted Crow scout Curly's account of the battle for Lt. James Bradley of General John Gibbon's Montana column.This is one of the most important memoirs of early Montana and the Indian Wars. Compiled by Leforge's friend, Dr. Thomas Marquis, this is a modest, self-deprecating, and often humorous account of a white man who was fully accepted into Indian life.Leforge's observations on Crow culture and the vanishing way of life that he was a part of is fascinating and detailed. Though he left the tribe for two decades to live among whites, he returned to the Crow reservation in his later years as the place where he felt most comfortable.Every memoir of the American West provides us with another view of a time that changed the country forever.

To the Plains Indians, the Sun Dance has traditionally been a profound religious ceremony, the highest form of worship of the Most Holy One. Thomas E. Mails was invited to attend and record in detail the Sioux Sun Dances at Rosebud and Pine Ridge. This was a singular honor no white man has been accorded before or since. The result is this groundbreaking work, illustrated with rare photographs and stunning four-color paintings.