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Scully's signature, earth-toned horizontal strata find new, shimmering depths when painted on aluminum and rendered in aquatint This book, Dark Yet, presents recent abstractions by Sean Scully (born 1945) that build on two decades-long series with a new painterly freedom: Wallsof colored blocks vibrantly stacked on the picture plane, and Landlinesforming strata of gloriously earthy colors. Graphic works based on a loose netlike pattern add a more pervious kind of visual delicacy. This book was published in conjunction with Galerie Max Hetzler

Journey to the depths of the Arctic and beyond in this unique collection of stories from the award-winning volumes of Moonshot: The Indigenous Comics Collection. Burning Cold is a captivating volume of Indigenous graphic stories written by acclaimed authors Sean and Rachel Qitsualik-Tinsley and Richard Van Camp. Time travel on the back of a wolverine, swim with shapeshifters beneath the ice, and travel through the skies with aliens. From traditional stories to reimagined futures, this collection showcases some of the finest comic book and graphic novel work from the North.

Sean Scully has been described by Arthur Danto as belong[ing] on the shortest of short lists of the major painters of our time. This book features insights on Scully's art from his friend Bono to his former student Ai Weiwei and novelist Colm Tóibín. This volume is conceived for the artist's 70th birthday.

At once a day book and an artist's book, this volume compiles black-and-white pencil and India ink drawings made by Sean Scully (born 1945) in Barcelona and New York between August 24 and October 10, 2010. Bound in handsome pale gray linen cloth, it also contains handwritten observations by the artist.

Photographs by Sean Scully. Edited by Danilo Eccher.