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"The most flexible rhetoric for a first-year writing course-and every writing student. The Norton Field Guide lets instructors teach the way they want to teach, and helps students write in the way that works best for them. In the Sixth Edition, new coauthor Deborah Bertsch shows students how to adapt their writing to new rhetorical situations with three new chapters-Remixes, Explorations, and Reflecting on Your Writing. More inclusive than ever, the new edition features thirty new readings, including seventeen written by students, that offer fresh and inspiring sources for writing. New videos and interactive activities in InQuizitive for Writers reveal multiple ways to understand and apply the book's advice, and are complemented by new instructor resources that respond to today's teaching challenges"--

"The most flexible rhetoric for a first-year writing course-and every writing student. The Norton Field Guide lets instructors teach the way they want to teach, and helps students write in the way that works best for them. In the Sixth Edition, new coauthor Deborah Bertsch shows students how to adapt their writing to new rhetorical situations with three new chapters-Remixes, Explorations, and Reflecting on Your Writing. More inclusive than ever, the new edition features thirty new readings, including seventeen written by students, that offer fresh and inspiring sources for writing. New videos and interactive activities in InQuizitive for Writers reveal multiple ways to understand and apply the book's advice, and are complemented by new instructor resources that respond to today's teaching challenges"--

Bette Davis as a madam. Orson Welles hosting The Twilight Zone. Mae West voicing a cartoon character. Shirley Temple playing a social worker. While Hollywood stars like Lucille Ball, Loretta Young and Donna Reed successfully transitioned to television in its early days, many others tried and failed to become TV regulars. Drawing on contemporary interviews and other sources, this book profiles more than 50 actors--including Joan Crawford, Barbara Stanwyck, Gary Cooper, Alan Ladd and Buster Keaton--and their unsuccessful pilots and short-lived series roles.

The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television provides one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption-in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.

New York has appeared in more movies than Michael Caine, and the resulting overfamiliarity to moviegoers poses a problem for critics and filmmakers alike. Audiences often mistake the New York image of skyscrapers and bright lights for the real thing, when in fact the City is a network of clearly defined villages, each with a unique personality. Standard film depictions of New Yorkers as a rush-hour mass of undifferentiated humanity obscure the connections formed between people and places in the City's diverse neighborhoods. Street Smart examines the cultural influences of New York's neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The City's heterogeneous economic and ethnic districts, where people live, work, shop, worship, and go to school, often bear little relation to the image of New York City created by the movies. To these directors, their home city is as tangible as the smell of fried onions in the stairwell of an apartment building, and it is this New York, not the bustling, glittery illusion portrayed in earlier films, that shapes their sensibilities and receives expression in their films. Richard A. Blake shows how the Jewish enclaves on Manhattan's Lower East Side profoundly influence Sidney Lumet's most noted characters as they struggle to form and maintain their identities under challenging circumstances. Both Woody Allen's light comedies and his more serious cinematic fare reflect the director's origins in the Flatbush neighborhood in Brooklyn and the displacement he felt after relocating to Manhattan. Martin Scorsese's upbringing on Elizabeth Street in Manhattan's Little Italy resonates in his gritty portraits of urban modernity. Blake also looks at the films of Spike Lee, whose adolescence in Fort Greene, a socioeconomically diverse Brooklyn neighborhood, exposed him to widely ranging views that add depth to his complicated treatises on power, culture, and race. Lumet, Allen, Scorsese, and Lee's individual identities were shaped by their neighborhoods, and in turn, their life experiences have shaped their artistic vision. In Street Smart, Richard A. Blake examines the critical influence of "place" on the films of four of America's most accomplished contemporary filmmakers.

"The most flexible rhetoric for a first-year writing course-and every writing student. The Norton Field Guide lets instructors teach the way they want to teach, and helps students write in the way that works best for them. In the Sixth Edition, new coauthor Deborah Bertsch shows students how to adapt their writing to new rhetorical situations with three new chapters-Remixes, Explorations, and Reflecting on Your Writing. More inclusive than ever, the new edition features thirty new readings, including seventeen written by students, that offer fresh and inspiring sources for writing. New videos and interactive activities in InQuizitive for Writers reveal multiple ways to understand and apply the book's advice, and are complemented by new instructor resources that respond to today's teaching challenges"--

"The most flexible rhetoric for a first-year writing course-and every writing student. The Norton Field Guide lets instructors teach the way they want to teach, and helps students write in the way that works best for them. In the Sixth Edition, new coauthor Deborah Bertsch shows students how to adapt their writing to new rhetorical situations with three new chapters-Remixes, Explorations, and Reflecting on Your Writing. More inclusive than ever, the new edition features thirty new readings, including seventeen written by students, that offer fresh and inspiring sources for writing. New videos and interactive activities in InQuizitive for Writers reveal multiple ways to understand and apply the book's advice, and are complemented by new instructor resources that respond to today's teaching challenges"--

This small handbook covers all aspects of the specific kinds of writing college students will do, organized around the categories of write, research, edit, and exercise. New for the third edition: "Editing the Errors That Matter," an updated MLA section, two new genre chapters, and new coverage of the use of "singular they."

Disaster Policy and Politics combines evidence-based research with mini-case studies of recent events to demonstrate the fundamental principles of emergency management and to explore the impact that disasters have had on U.S. policy. Paying special attention to the role of key actors—decision makers at the federal, state, and local levels; scientists; engineers; civil and military personnel; and first responders—author Richard Sylves explores how researchers contribute to and engage in disaster policy development and management. The highly anticipated Third Edition explores the radical change in policy and politics after the occurrence of recent disasters such as hurricanes Irma, Maria, and Harvey; Hawaii′s false nuclear attack warning; and responses to U.S. wildfires. The book’s comprehensive "all-hazards" approach introduces students to the important public policy, organizational management, and leadership issues they may need as future practitioners and leaders in the field.