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"In a series of elegant, often provocative essays covering the entire are of Michelangelo's visual signing, Barkan's analytic perspective elicits new connections and new levels of significance that have eluded his predecessors. Thanks to Barkan, future students of Michelangelo's graphic work will have to look and think harder.---Irving Lavin, professor emernus, Institute for Advanced Study --

Michelangelo is considered by many art experts to be the greatest Renaissance artist, surpassing even Leonardo da Vinci. Not only was he an exceptional sculptor but also a formidable painter, architect, and poet. Michelangelo's primary material was marble and the results of his talent and work speak for themselves: Can anything compare to his statue of David or the Pietà he carved at the age of 24? Michelangelo lived to be 88 years old, and he worked until the very end of his life. His last project, inspired by the success of his fresco paintings on the ceiling and walls of the Sistine Chapel.

Michelangelo was acutely conscious of living in an age of religious crisis and artistic change, and for him the two issues were related. Michelangelo and the Reform of Art explores Michelangelo's awareness of artistic tradition as a means of understanding his relation to the profound religious uncertainty of the sixteenth century. Concentrating on Michelangelo's lifelong preoccupation with the image of the dead Christ, Alexander Nagel studies the artist's associations with reform-minded circles in early sixteenth-century Italy, and reveals his sustained concern over the fate of religious art.

Forty-six outstanding studies, including sketches for David, Sistine Ceiling, Last Judgment, and more. Nudes, figure studies, children, animals, mythical and religious works, more.