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A novel from the Pulitzer Prize-winning author of 'The Hours'.

A daring, deeply affecting third novel by the author of A Home at the End of the World and Flesh and Blood. In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Samuel, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family. Passionate, profound, and deeply moving, this is Cunningham's most remarkable achievement to date. The Hours is the winner of the 1999 Pulitzer Prize for Fiction.

Michael Cunningham's luminous novel begins with a vision. It's November 2004. Barrett Meeks, having lost love yet again, is walking through Central Park when he is inspired to look up at the sky; there he sees a pale, translucent light that seems to regard him in a distinctly godlike way. Barrett doesn't believe in visions-or in God-but he can't deny what he's seen. At the same time, in the not-quite-gentrified Bushwick neighbourhood of Brooklyn, Tyler, Barrett's older brother, a struggling musician, is trying-and failing-to write a song for Beth, his wife-to-be, who is seriously ill. Tyler is determined to write a wedding song that will be not merely a sentimental ballad, but an enduring expression of love. Barrett, haunted by the light, turns unexpectedly to religion. Tyler grows increasingly convinced that only drugs can release his creative powers. Beth tries to face mortality with as much courage as she can summon. Cunningham follows the Meeks brothers as each turns down a different path in his search for transcendence. In subtle, lucid prose, he demonstrates a profound empathy for his conflicted characters and a singular understanding of what lies at the depth of the human soul.

Peter and Rebecca Harris have settled into a comfortable mid-life--with their careers as an art dealer and editor, respectively, blossoming and their son in college--until Rebecca's look-alike brother with a history of drug problems shows up and makes Peter question his artists, their work, his career and nearly everything else. (general fiction).

Offers a portrait of the rugged beauty and rich historical significance of Provincetown, Massachusetts, as well as the impressive array of artists and writers that made the seaside town an artistic mecca.

Barbara Ess makes subtly-toned photographs that are not so much reality as visionary versions of it. Blurry and distorted, they seem to coax their subjects from mysterious spaces. --Grace Glueck, "The New York Times" "Ess' images often have a dreamy subterranean quality--part wonder and part menace--as if culled directly from the subconscious." --Gregory Volk, "ARTnews" "I Am Not This Body" investigates primary, personal experience and relies upon the viewer's imagination and memories. Barbara Ess is renowned for her accomplished use of the pinhole camera and her effort to "photograph what cannot be photographed." Ess' is a conscious quest to explore what she calls "ambiguous perceptual boundaries: between people, between the self and the not self, between in here and out there." In her view, "reality... includes a perceiver, who has memories, thoughts, desires, emotions-- which] a normal camera tends to omit." The strange and affecting images she coaxes from this primitive camera manage to evoke the sublime and the impossible, the textures of desire and loss.

Here are the moments that our fairy tales forgot or deliberately concealed, reimagined by one of the most gifted storytellers of his generation, the Pulitzer Prize winning author of The Hours, and exquisitely illustrated by Yuko Shimizu. Rarely have our bedtime stories been this dark, this perverse, or this true.

Monograph on manual worker and non-executive nonmanual worker fringe benefits in the UK - covers the range of benefits such as cash allowances, credit facilities, maternity leave, sick leave, educational leave, paternity leave, public holidays and paid leave, company discount, provision of meals, child care facilities, housing, recreation services, transport and company car allowances, health insurance, cost to the employer, income tax on them, etc., and comments on labour legislation and trade union negotiating arguments. Statistical tables.

A literary anthology featuring writing by: Michael Cunningham Jim Shepard T. Cooper Lydia Millet Diana Wagman