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Mustard gas is typically associated with the horrors of World War I battlefields and trenches, where chemical weapons were responsible for tens of thousands of deaths. Few realize, however, that mustard gas had a resurgence during the Second World War, when its uses and effects were widespread and insidious. Toxic Exposures tells the shocking story of how the United States and its allies intentionally subjected thousands of their own servicemen to poison gas as part of their preparation for chemical warfare. In addition, it reveals the racialized dimension of these mustard gas experiments, as scientists tested whether the effects of toxic exposure might vary between Asian, Hispanic, black, and white Americans. Drawing from once-classified American and Canadian government records, military reports, scientists’ papers, and veterans’ testimony, historian Susan L. Smith explores not only the human cost of this research, but also the environmental degradation caused by ocean dumping of unwanted mustard gas. As she assesses the poisonous legacy of these chemical warfare experiments, Smith also considers their surprising impact on the origins of chemotherapy as cancer treatment and the development of veterans’ rights movements. Toxic Exposures thus traces the scars left when the interests of national security and scientific curiosity battled with medical ethics and human rights.

Waipio Valley: A Polynesian Journey from Eden to Eden recounts the remarkable migrations of the Polynesians across a third of the circumference of the earth. Their amazing journey began from Kalana i Hauola, the biblical Garden of Eden located along the shore of the Persian Gulf, extended to the Indus River Valley of ancient Vedic India, to Egypt where some ancestors of the Polynesians were on the Israelite Exodus, through Island Southeast Asia and across the Pacific Ocean. They voyaged thousands of miles in double-hull canoes constructed from hollowed-out logs, built with Stone Age tools and navigated by the stars of the night sky. The Polynesians resided on numerous tropical islands before reaching Waipio Valley, the last Polynesian Garden of Eden. Due to their isolation on the islands of the Pacific Ocean, Polynesian religious and cultural beliefs have preserved elements from mankinds past nearer the beginning of human history. Polynesian mythology includes genealogical records of their divine ancestors that extends back to Kahiki, their mystical land of creation and ancient divine homeland created by the gods, epic tales of gods and heroes that preserved records of their ancient voyages, oral chants such as the Hawaiian Kumulipo contain evolutionary creation theories that reflect modern scientific thought, and the belief in a Supreme Creator God.

This meticulously edited horror collection is formatted for your eReader with a functional and detailed table of contents: H. P. Lovecraft: The Tomb The Dunwich Horror The Shunned House Bram Stoker: Dracula The Dualists Edgar Allan Poe: The Cask of Amontillado The Mystery of Marie Rogêt The Premature Burial Mary Shelley: Frankenstein The Evil Eye Arthur Machen: The Great God Pan The Terror William Hope Hodgson: The Ghost Pirates The Night Land Algernon Blackwood: The Willows The Wendigo A Haunted Island Joseph Sheridan Le Fanu: Carmilla The Wyvern Mystery The Dead Sexton M. R. James: Ghost Stories of an Antiquary Washington Irving: Rip Van Winkle The Legend of Sleepy Hollow E. F. Benson: The Terror by Night Wilkie Collins: The Dead Secret The Haunted Hotel Arthur Conan Doyle: The Beetle Hunter The Black Doctor Charles Dickens: The Signal-Man The aunted House Henry James: The Turn of the Screw The Third Person Rudyard Kipling: The Phantom Rickshaw My Own True Ghost Story Robert Louis Stevenson: Strange Case of Dr Jekyll and Mr Hyde Markheim The Body-Snatcher Robert E. Howard: Beyond the Black River Devil in Iron People of the Dark Nathaniel Hawthorne: Rappaccini's Daughter The Birth Mark Ambrose Bierce: Can Such Things Be? Present at a Hanging M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: Dr. Greatrex's Engagement The Mysterious Occurrence in Piccadilly Frederick Marryat: The Phantom Ship The Were-Wolf James Malcolm Rymer: Sweeney Todd H. G. Wells: The Island of Doctor Moreau Nikolai Gogol: Dead Souls H. H. Munro (Saki): The Wolves of Cernogratz Mary Elizabeth Braddon: The Shadow in the Corner Fred M. White: Powers of Darkness The Doom of London Edward Bulwer-Lytton: The Haunted and the Haunters E. T. A. Hoffmann: The Devil's Elixirs The Deserted House Marie Belloc Lowndes: From Out the Vast Deep Eleanor M. Ingram: The Thing from the Lake Marie Corelli: The Sorrows of Satan Thomas Reid ...

F. Scott Fitzgerald is one of the most challenging authors of American literature. He is known internationally as the author of The Great Gatsby (1925), a twentieth-century literary classic studied by high school students and scholars alike. But Fitzgerald was an amazingly productive writer despite numerous personal and professional difficulties. From the beginning of his literary career with the publication of This Side of Paradise in 1920 to his death in 1940, he wrote 5 novels, roughly 180 short stories, numerous essays and reviews, much poetry, several plays, and some film scripts. Even when he wrote hastily and perhaps bleary-eyed, his works almost always exhibit the flashes of his genius. He is celebrated as a symbol of the Jazz Age and the Roaring Twenties, but beneath all the glitter for which his prose is famous, he warns of the dangers of personal recklessness and praises the redemptive power of love. Through hundreds of alphabetically arranged entries, this reference book provides complete coverage of Fitzgerald's life and writings. The volume begins with a chronology that traces his rise from obscurity to fame, his struggles with alcoholism, and his eventual financial downfall. The entries that follow give a full and detailed picture of Fitzgerald and his work. They present the essential action in Fitzgerald's novels, short stories, plays, and poems; identify all named fictional characters and indicate their significance; and give brief biographical information for Fitzgerald's family members, friends, and professional associates. Many of the entries include bibliographies which emphasize criticism published after 1990, and the volume closes with a general bibliography of the most important broad studies of Fitzgerald and his works. A thorough index and extensive cross references provide additional access to the wealth of information in this reference book and help make it a useful tool for a wide range of users.

This work covers ninety years of animation from James Stuart Blackton's 1906 short Humorous Phases of Funny Faces, in which astonished viewers saw a hand draw faces that moved and changed, to Anastasia, Don Bluth's 1997 feature-length challenge to the Walt Disney animation empire. Readers will come across such characters as the Animaniacs, Woody Woodpecker, Will Vinton's inventive Claymation figures (including Mark Twain as well as the California Raisins), and the Beatles trying to save the happy kingdom of Pepperland from the Blue Meanies in Yellow Submarine (1968). Part One covers 180 animated feature films. Part Two identifies feature films that have animation sequences and provides details thereof. Part Three covers over 1,500 animated shorts. All entries offer basic data, credits, brief synopsis, production information, and notes where available. An appendix covers the major animation studios.

Noted for its “B” westerns, RKO also produced several movie classics; two were Citizen Kane and Gunga Din. Comprehensive filmographic data are included here for all of the studio’s features: title, year of release, production credits, cast, genre, running time, alternate titles, availability on videocassette, and plot synopsis. Many entries give background information on the film’s production and stars.

The richness and the range of Native American spirituality has long been noted, but it has never been examined so thoroughly, nor with such an eye for the amazing interconnectedness of Indian tribal ceremonies and practices, as in An Archaeology of the Soul. In this monumental work, destined to become a classic in its field, Robert Hall traces the genetic and historical relationships of the tribes of the Midwest and Plains--including roots that extend back as far as 3,000 years. Looking beyond regional barriers, An Archaeology of the Soul offers new depths of insight into American Indian ethnography. Hall uncovers the lineage and kinship shared by Native North Americans through the perspectives of history, archaeology, archaeoastronomy, biological anthropology, linguistics, and mythology. The wholeness and panoramic complexity of American Indian belief has never been so fully explored--or more deeply understood.