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Out of Africa is Isak Dinesen's memoir of her years in Africa, from 1914 to 1931, on a four-thousand-acre coffee plantation in the hills near Nairobi. She had come to Kenya from Denmark with her husband, and when they separated she stayed on to manage the farm by herself, visited frequently by her lover, the big-game hunter Denys Finch-Hatton, for whom she would make up stories "like Scheherazade." In Africa, "I learned how to tell tales," she recalled many years later. "The natives have an ear still. I told stories constantly to them, all kinds." Her account of her African adventures, written after she had lost her beloved farm and returned to Denmark, is that of a master storyteller, a woman whom John Updike called "one of the most picturesque and flamboyant literary personalities of the century."

Originally written in 1958, the stories which comprise this volume were among the last to be written by Isak Dinesen. The theme of Ariel runs through the collection which includes The Driver, Tempests, Babette's Feast, The Immortal Story and The Ring.

Out of Africa is the result of Isak Dinesen's seventeen years as an unsuccessful coffee farmer in the Ngong Hills outside Nairobi, British East Africa (now Kenya). A retrospective narrative, it details her personal experiences in that land and offers a wealth of observations about nature, the culture of the natives, and the life of the immigrant settlers. The book also contains many vivid portraits of both natives and settlers, as well as accounts of numerous dramatic incidents, such as experiences during World War I, incidents of violence, safaris, and lion hunts. Dinesen approaches her material from the perspective of one who truly loves Africa but who is also struck by the fundamental otherness of the indigenous culture and who only gradually and partially is able to liberate herself from her ethnocentric views. To a large extent, however, her perspective is anticolonialist, for she is able to clearly see that the natives are often unjustly treated by the European settlers. The structure of the book is in part chronological and in part thematic. No clear sense of a chronological beginning is given, for Dinesen has chosen to begin her narrative with an account of the geography of her farm, which is truly fitting because it is the land itself that holds the greatest importance in her story. The latter part of Out of Africa, in which the author details the circumstances surrounding the loss of her land and the death of her lover Denys Finch-Hatton, on the other hand, has a clear chronological structure that the young adult reader will find easy to follow.

Explore the captivating tales of 'Anecdotes of Destiny', a collection by Karen Blixen. Delve into the lives of men and women who find themselves entangled in the relentless grasp of fate. From 'The Diver', where a young man's faith clashes with newfound desires, to the enchanting 'Babette's Feast', where piety and art collide, these stories evoke both laughter and heartbreak.

Årene på farmen i Kenya stod for Karen Blixen som de rigeste i hendes liv. Hun trivedes i den pragtfulde natur og blandt de indfødte, for hvem hun blev leder, lærer, mentor og dommer. Og det var her hun mødte sin elskede Denys Finch Hatton. Denne udgave af Den afrikanske farm er opdateret til gældende retskrivning