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The eleventh issue of Caketrain, featuring new work from Joseph Aguilar, Jessica Alexander, N. Michelle AuBuchon, C Dylan Bassett, Ruth Baumann, Matt Bell, Eric Lloyd Blix, Trevor Calvert, Hunter Choate, Benjamin Clemenzi-Allen, Jon Cone, Stella Corso, Patty Yumi Cottrell, Lindsey Drager, Tim Earley, Sarah Rose Etter, Knar Gavin, Pamela Gesualdi, A.T. Grant, Lindsay Herko, Robert Lopez, Matthew Mahaney, Elizabeth Mikesch, Muxxi, Thirii Myo Kyaw Myint, Eleanor Perry, W.R. Porter, Meghan Privitello, Jessica Richardson, Alan Sondheim, Emma Sovich, Boyd Spahr, Adam Strauss, Sara Veglahn, Tom Whalen. Edited by Amanda Raczkowski, Joseph Reed, Tanner Hadfield and Katy Mongeau.

This collection, donated by Cone, includes his own published works, and many other publications from the small press and alternative literary cultures of the period roughly comprising 1978 to 2007. It also includes an extensive collection of correspondence from a wide group of writers of that period. Cone is a great letter-writer, and this collection reflects that fact. Among the correspondence here is material from Stephen Perkins, Daniel A. Russell, Bill Keith, John M. Bennett, Mark Sonnenfeld, Irving Stettner, B.Z. Niditch, Philippe Bille, S. Gustav Hagglund, Francis Poole, Thomas L. Taylor, Andrew Topel, Jim Leftwich, Gilbert Alter-Gilbert, Julian Semilian, John Martone, Jake Berry, George Kalamaras, Al Ackerman, Todd Moore, Hugh Fox, Greg Evason, Ivan Arguelles, F. A. Nettelbeck, Alan Catlin, Joel Lipman, G. Huth, Richard Kostelanetz, George D. Economou, Kurt Nimmo, jwcurry, Mark Laba, John Martone, Jack Saunders, Anselm Hollo, Lloyd Dunn, Rosmarie Waldrop, Ingrid Swanberg, Andrei Codrescu, Mary Winters, Scott Watson, Bern Porter, Roger Jackson, Lewis LaCook, Guy R. Beining, Serge Segay, Jeff Klipschutz, Lee Thorn, Alice Olds-Ellingson, Susan Poe, Reed Altemus, and many others.

Consists primarily of material relating to Else's career in documentary filmmaking and cinematography. Of note in this collection are annotated scripts and transcripts from many of his films including Palace of Delights, Eyes on the Prize I and II, Yosemite: Fate of Heaven, The Great Depression, and Cadillac Desert. Also included are videotapes containing footage and research for many of his films.

Romanen følger Rant 1 (2017). En desillusjonert og oppmerksom jeg-forteller analyserer seg selv og omverdenen. I Rant 2 forsøker jeg-fortelleren å isolere seg fra omgivelsene for å komme frem til en innsikt. «Jeg ligger her på gulvet med en pute under brystet, og planen var reise innover, men jeg slipper ikke inn, og jeg vet ikke engang hvorfor jeg skal reise, eller hvor jeg er på vei. Jeg har alltid lett etter en vei ut eller en vei inn eller en vei hjem, vekk fra der jeg alltid er, men jeg vet ikke om det finnes noe vekk, jeg vet ikke om det finnes noe utenfor, jeg vet ikke om det finnes noe hjem og jeg tviler også på at det finnes et univers der inne.» Jon Refsdal Moe har virket som kritiker og teatersjef ved Black Box teater. Han har en doktorgrad i Teatervitenskap. Omtalen er utarbeidet av BS.