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"In the Wake of Terror inquires into the historical conditions and possibilities of radical change in the post-9/11 world of globalized capitalism. E. San Juan, Jr., focuses on numerous problems, including those of racism, class antagonisms, and subalternity in the United States. Global violence is also examined in relation to the anti-imperialist struggle of diverse communities in the Philippines. Written from a historical materialist perspective, this work of cultural criticism is of interest to the academic or lay person."--BOOK JACKET.

In this incisive and polemical book, E. San Juan, Jr., the leading authority on Philippines-U.S. literary studies, goes beyond fashionable postcolonial theory to bring to our attention the complex history of Philippines-U.S. literary interactions. In sharp contrast to other works on the subject, the author presents Filipino literary production within the context of a long and sustained tradition of anti-imperialist insurgency, and foregrounds the strong presence of oppositional writing in the Philippines. After establishing the historical context of U.S. intervention and Filipino resistance, San Juan examines the work of two very significant writers. The first, Carlos Bulosan, a journalist and union activist, became in the author's words a "tribune" of the people. Bulosan's writings which combine critique and prophecy do not allow us to forget the atrocities inflicted on the Filipino people. The other, José Garcia Villa, lapsed into premature obscurity on account of the complexity of his writings about the Filipino predicament. Read through San Juan's eyes, these writers are revealed as multifaceted thinkers and activists, not stereotypical ethnic artists. San Juan goes beyond literary studies and contemporary debates about nationalism and politics to point the way to a new direction in radical transformative writing. He uncovers hidden agendas in many previous accounts of U.S.-Philippine relations, and this book exemplifies how best to combine activist scholarship with historically grounded cultural commentary. Author note:E. San Juan, Jr.is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books areBeyond Postcolonial Theory,From Exile to Diaspora,After Postcolonialism, andRacism and Cultural Studies.

This book offers a radical, "Third World" approach to current debates on canon revision, multiculturalism, Eurocentrism, and reforms in education and culture.

A collection of seven essays, six of which are interpretations of major poems by Romantic and modern poets. One other treats two modes of construction--synecdochic and metonymic--in Ernest Hemingway's poems.

This innovative analysis of the Philippine historical crisis is accompanied by a critique of a U.S. racial formation in which Filipinos constitute the largest Asian group. Literary and artistic expressions by Filipinos manifest a new emerging identity defined by the multicultural debates crossing the Pacific, transforming the Philippines into a borderland of East and West. Caught betwixt the Asian continent and the hegemonic power of the United States, the Philippines occupies a contested space between past and present. Between the memory of colonial experience and an emergent nation-making dream, can a meaningful future be envisioned? This provocative book explores this problematic zone of difference through a critique of the Western production of knowledge in the context of local resistance. While Americanization of the Filipino continues, the encounter of globalizing and nationalizing forces has precipitated a profound political and social crisis whose outcome may be a paradigmatic lesson for many so-called third world countries. What happens in this Southeast Asian nation may foretell the fate of the ideals of democracy and social justice now beleaguered by the market and the unrelenting commodification of everyday life.

DIVA historical critique of practices in multiculturalism and cultural studies./div

Gathering together classic and new essays by the internationally renowned US-based Filipino artist and thinker E. San Juan Jr., Working through the Contradictions addresses major issues of cultural theory, comparative politics, and international relations. Committed to the ideal of a popular, egalitarian democracy, San Juan exposes the limits of the current vogue of transnationalism, cosmopolitan humanitarianism, and varieties of dissensual multiculturalism. Opposing the triumphalist discourse of US-centered globalization, San Juan reaffirms the value and power of a historical materialist critique of the new world order. Connecting the theoretical debates in American Studies to the recent US intervention in the Philippines against the Abu Sayyaf guerillas, Spinoza's philosophy to current racism against Asian Americans, European surrealism to Caribbean history, San Juan's dialectical method illuminates the contractions of thought and practice that open up opportunities for social transformation and spiritual renewal.

"This contextualizing of the imagination reveals two dimensions in the writer's discursive strategy: the ideological function of reconciling contradictions, and the utopian drive to subvert imperialist subjection via the invention of an egalitarian, resurgent Filipino community--the fulfillment of the dream of the 1896 Revolution. Joaquin's corpus is therefore as conflicted, as torn by the same contradictions as the body politic which his art seeks to mediate."--P. [4] of cover.

In this incisive and polemical book, E. San Juan, Jr., the leading authority on Philippines-U.S. literary studies, goes beyond fashionable postcolonial theory to bring to our attention the complex history of Philippines-U.S. literary interactions. In sharp contrast to other works on the subject, the author presents Filipino literary production within the context of a long and sustained tradition of anti-imperialist insurgency, and foregrounds the strong presence of oppositional writing in the Philippines. After establishing the historical context of U.S. intervention and Filipino resistance, San Juan examines the work of two very significant writers. The first, Carlos Bulosan, a journalist and union activist, became in the author's words a "tribune" of the people. Bulosan's writings which combine critique and prophecy do not allow us to forget the atrocities inflicted on the Filipino people. The other, José Garcia Villa, lapsed into premature obscurity on account of the complexity of his writings about the Filipino predicament. Read through San Juan's eyes, these writers are revealed as multifaceted thinkers and activists, not stereotypical ethnic artists. San Juan goes beyond literary studies and contemporary debates about nationalism and politics to point the way to a new direction in radical transformative writing. He uncovers hidden agendas in many previous accounts of U.S.-Philippine relations, and this book exemplifies how best to combine activist scholarship with historically grounded cultural commentary. Author note:E. San Juan, Jr.is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books areBeyond Postcolonial Theory,From Exile to Diaspora,After Postcolonialism, andRacism and Cultural Studies.