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Towards the end of Caesar's Gallic War, Rome had reached the Rhine. Since the campaigns under Emperor Augustus (15 B.C.), larger troop contingents were stationed along the river, with focal points around Mogontiacum/Mainz and in northern Switzerland. After the Battle of the Teutoburg Forest (9 AD), when the attempt to occupy all of Germania had failed, the Lower Rhine remained the frontier of the empire's territory until Late Antiquity. East of the Middle and Upper Rhine, however, the Roman sphere of power was pushed forward several times over a period of almost 200 years, and from 90 AD at the latest, the construction of artificial borders was initiated. When the Roman expansion came to an end around 160 AD, the province was secured in its furthest extension by the "Frontal" or "Outer Upper-Germanic Limes", which existed until the middle of the 3rd century. This book illustrates the historical and archaeological significance of the Upper Germanic Limes and provides an up-to-date overview of its manifold features in the field.

Two thousand years ago the Roman army, one of the world's most successful fighting machines, set out to conquer Scotland. Three invasions were attempted and each ended in withdrawal. These forays have left their mark on today's landscape in the form of impressive earthworks - the remains of forts and frontiers constructed by the army, including the famous and spectacular Antonine Wall. Using the latest archaeological evidence and contemporary Roman documents, including the uniquely informative Vindolanda writing tablets, Dr Breeze assesses these three periods of occupation and the effect they had on Scotland and its people. He asks: why the Romans chose to invade and why they failed what was the strength and nature of the invasion force how strong was the opposition what was daily life like for civilians and soldiers what was the relationship between Rome and the northern tribes after the Roman withdrawal.

The northern frontier of Britain was the most distant of the Roman Empire. This book describes the frontiers constructed by the Roman army in north Britain in the first and second centuries AD and looks at their rationale and occupation through to the fifth century. Compte-rendu critique in Classics Ireland, Vol. 15, 2008, p. 81 & sq. : http://www.jstor.org/discover/10.2307/20799739?uid=3738016&uid=2129&uid=2&uid=70&uid=4&sid=21102646910177 ; & in Bryn Mawr Classical Review 2008.03.17 : http://bmcr.brynmawr.edu/2008/2008-03-17.html.

The Roman army marched into Scotland in AD 79, the first of a series of invasions by various peoples, that was to span the next thousand years. Some were aggressive, some peaceful, but all helped to weave an intricate tapestry of peoples, culture and traditions. The Roman endeavour failed, leaving Britons and Picts in control of their native land, until the Scots, Angles and Vikings invaded in turn.

The Complete Harvard Classics - ALL 71 Volumes, stands as a monumental anthology that embarks on an epic journey through the annals of world literature, philosophy, and science. This collection is distinguished by its diverse array of literary styles, embracing works from ancient tracts to the prose of the Enlightenment and the poetry of the Romantic era. The anthology skillfully intertwines the dynamics of literary form, thematic depth, and historical context, offering readers an unparalleled vista into human thought and creativity. Among its pages, standout pieces across civilizations and centuries coalesce, forming a dialogue that transcends temporal and geographical boundaries, reflective of editor Charles W. Eliot's vision of a comprehensive 'five-foot shelf' of books that could serve as a good education in itself. The contributing authors and editors, ranging from Homer to Shakespeare, and Darwin to Tolstoy, present a tapestry rich with the intellectual and cultural movements that have shaped human history. This anthology not only mirrors the evolution of literature and thought but also encapsulates the spirit of the periods from which these titans hailed. Their collective works, diverse in origin yet unified in their exploration of human experience, provide insight into the notions of identity, morality, and society. The anthology stands as a testament to the enduring nature of their contributions, aligning with various historical, cultural, and literary movements and fostering a deeper appreciation for the multiplicity of human expression. The Complete Harvard Classics - ALL 71 Volumes is not merely a collection to be admired from afar but is a vibrant invitation to immerse oneself in the wealth of knowledge and emotion captured within its pages. It beckons scholars, students, and curious minds alike to delve into its depths, offering an educational journey that is as profound as it is expansive. This anthology facilitates a dialogue with the minds of great thinkers and artists across ages, providing a unique opportunity to explore the landscape of human culture and intellect. Engaging with this collection is to partake in an ongoing conversation about the values, questions, and understandings that continue to shape our world.

DigiCat presents to you this meticulously edited Harvard Classics collection: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: Poems by John Milton V. 5: R. W. Emerson V. 6: Poems by Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarch's Lives V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: Thousand and One Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English and American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prefaces and Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Epic and Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Hawthorne, Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland