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Suffering from a bad heart, emphysema, glaucoma, and deafness, Thurgood Marshall finally retired from the Supreme Court at the age of 82 in spite of having always claimed "I was appointed to a life term, and I intend to serve it." Many observers felt he should have left much earlier. Life appointments make Supreme Court justices among the most powerful officials in government and allow even dysfunctional judges to stay on long after they should have departed. For that reason, when a justice leaves the bench is often as controversial as when he's appointed. This first comprehensive historical treatment of their deaths, resignations, and retirements explains when and why justices do step down. It considers the diverse circumstances under which they leave office and clarifies why they often are reluctant to, showing how factors like pensions, party loyalty, or personal pride come into play. It also relates physical ailments to mental faculties, offering examples of how a justice's disability sometimes affects Court decisions. David Atkinson examines each of the nearly 100 men who have left the bench and provides anecdotal glimpses into the lives of famous and obscure justices alike. He reveals how men like Salmon Chase and William O. Douglas determinedly continued to serve after suffering strokes, how Joseph McKenna persevered despite knowing he was professionally unqualified, and how, long before Thurgood Marshall, the ailing octogenarian Gabriel Duvall finally retired after struggling to protect another ideological position on the Court. Ultimately, Atkinson shows just how human these people are and enhances our understanding of how the Court conducts its business. He also suggests specific ways to improve the present situation, weighing the pros and cons of mandatory retirement and calling for reform in the delegation of duties to law clerks-who in recent years have dominated the actual writing of many justices' decisions. As the current Court ages, how long might we expect justices to remain on the bench? Because our next president will likely make several appointments, now is the time to consider what shape the Supreme Court will take in the next century. Offering a wealth of information never before collected, Leaving the Bench provides substantial grist for that debate and will serve as an unimpeachable reference on the Court.

In Altman on Altman, one of American cinema's most incorrigible mavericks reflects on a brilliant career. Robert Altman served a long apprenticeship in movie-making before his great breakthrough, the Korean War comedy M*A*S*H (1969). It became a huge hit and won the Palme d'Or at Cannes, but also established Altman's inimitable use of sound and image, and his gift for handling a repertory company of actors. The 1970s then became Altman's decade, with a string of masterpieces: McCabe and Mrs Miller, The Long Goodbye, Thieves Like Us, Nashville . . . In the 1980s Altman struggled to fund his work, but he was restored to prominence in 1992 with The Player, an acerbic take on Hollywood. Short Cuts, an inspired adaptation of Raymond Carver, and the Oscar-winning Gosford Park, underscored his comeback. Now he recalls the highs and lows of his career trajectory to David Thompson in this definitive interview book, part of Faber's widely acclaimed Directors on Directors series. 'Hearing in his own words in Altman on Altman just how much of his films occur spontaneously, as a result of last-minute decisions on set, is fascinating . . . For film lovers, this is just about indispensable.' Ben Sloan, Metro London

From Esquire's popular "What I've Learned" column comes a stunning, all-new collection of candid interviews with 65 actors, athletes, directors, musicians, writers, comedians, politicians, and other legendary figures. Every one of the impressive figures profiled here offers insights that reveal the humanity behind the famous face. The lessons these larger-than-life personalities convey are funny, inspirational, very down-to-earth--and always captivating. The profiles include: 50 Cent, Tim Allen, Woody Allen, André 3000, Kevin Bacon, Tony Bennett, Joe Biden, David Blaine, Albert Brooks, James L. Brooks, Jim Brown, James Lee Burke, Brian "Danger Mouse" Burton, George H. W. Bush (with Barbara Bush), Michael Caine, Chevy Chase, Chris Christie, Francis Ford Coppola, Kevin Costner, Willem Dafoe, Charlie Daniels, Ted Danson, Robert DeNiro, Bruce Dern, Danny DeVito, Robert Duvall, Art Garfunkel, Ricky Gervais, Phillip Glass, Elliott Gould, Kelsey Grammer, Robert Haas, Jim Harrison, Kevin Hart, Ethan Hawke, Jesse Jackson, Samuel L. Jackson, Joan Jett, Larry King, Padma Lakshmi, Jerry Lee Lewis, Lyle Lovett, James Meredith, Helen Mirren, Keith Olbermann, Gary Oldman, Yoko Ono, Mary-Louise Parker, Pelé, Sean Penn, Robert Redford, Lionel Richie, Amy Schumer, Arnold Schwarzenegger, Slash, Aaron Sorkin, Harry Dean Stanton, Sting, Donald Sutherland, Jeffrey Tambor, Christopher Walken, Sigourney Weaver, Dr. Ruth Westheimer, and Thom Yorke.

Interviews with the acclaimed director of the films Dune, Blue Velvet, The Elephant Man, Mulholland Drive, and Inland Empire and the hit TV series Twin Peaks

From a #1 New York Times bestselling author comes a gripping thriller novella about a college football player's investigation into the unsolved disappearance of a local legend who seemingly vanished into thin air. Forty years ago, Herschel Ruggles, the most legendary player on the Mighty Johns football team at Draven University, disappeared after scoring a record-breaking touchdown. ​ Instead of tossing the ball to the referee after his near-mythical athletic feat or celebrating with the nearly 25,000 spectators in the stands, Ruggles continued running, ball in hand, into a passageway that led deep underneath the field to the Mighty Johns’ locker room—and was never seen again. His disappearance has mystified the community for decades . . . until another player—Merlin North, a brilliant physics major—helps break Ruggles’s record for kickoff returns. After that, North turns detective and becomes fixated on discovering what happened to Herschel Ruggles. Investigating Ruggles’s mysterious disappearance, however, will prove unexpectedly dangerous for North, as evidence of murder—and ghostly visions—reveal the truth to be far more stunning than he ever could have anticipated. Includes a teaser for A Gambling Man, David Baldacci's second Archer novel—​available now!

Alte Sünden werfen lange Schatten Amos Decker, der Memory Man, besucht seine Heimatstadt, als plötzlich ein alter Bekannter vor ihm steht. Meryl Hawkins ist ein verurteilter vierfacher Mörder und der Erste, den Decker als junger Polizist hinter Gitter gebracht hat. Hawkins, der aufgrund seines schlechten Gesundheitszustandes vorzeitig entlassen wurde, beteuert seine Unschuld. Sein letzter Wunsch: der FBI-Ermittler soll seinen Namen reinwaschen. Kurz darauf wird Hawkins erschossen. Nun kommen Decker echte Zweifel: Hat er dabei geholfen, den Falschen zu bestrafen? Als er den Fall wieder aufrollt wird klar: Jemand wird weiter töten, um ein altes Geheimnis zu verbergen . . .

Bringing a towering, controversial figure to life, this landmark work by preeminent historian David Cannadine offers the first biography of Andrew Mellon, the American colossus who bestrode the worlds of industry, government, and philanthropy as no one had ever quite done before.

Regarded by his contemporaries as one of television’s premier comedy creators, Nat Hiken was the driving creative force behind the classic 1950s and 1960s series Sgt. Bilko and the hilarious Car 54, Where Are You? King of the Half Hour, the first biography of Hiken, draws extensively on exclusive first-hand interviews with some of the well-known TV personalities who worked with him, such as Carol Burnett, Fred Gwynne, Alan King, Al Lewis, and Herbert Ross. The book focuses on Hiken’s immense talent and remarkable career, from his early days in radio as Fred Allen’s head writer to his multiple Emmy-winning years as writer-producer-director on television. In addition to re-establishing Hiken's place in broadcast history, biographer, David Everitt places him in the larger story of early New York broadcasting. Hiken’s career paralleled the rise and fall of television’s Golden Age. He embodied the era’s best qualities—craftsmanship, a commitment to excellence and a distinctive, uproariously funny and quirky sense of humor. At the same time, his uncompromising independence prevented him from surviving the changes in the industry that brought the Golden Age to an end in the 1960s. His experiences bring a fresh and until now unknown perspective to the medium’s most extraordinary period.