Search

"A sound piece of work. Its holistic, final-form approach reflects the major trend in biblical criticism. It is perceptive, sensitive, thoughtful and stimulation".---David Gunn Professor of Old Testament, Columbia Theological Seminary

In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to consider, with me, how such a work and I mean Leverkhns work could more or less be practically realized. Their close collaboration on questions concerning the character of the fictional composers putatively late works (Adorno produced specific sketches which are included as an appendix to the present volume) effectively laid the basis for a further exchange of letters. The ensuing correspondence between the two men documents a rare encounter of creative tension between literary tradition and aesthetic modernism which would be sustained right up until the novelists death in 1955. In the letters, Thomas Mann openly acknowledged his fascinated reading of Adornos Minima Moralia and commented in detail on the Essay on Wagner, which he was as eager to read as the one in the Book of Revelation consumes a book which tastes as sweet as honey. Adorno in turn offered detailed observations upon and frequently enthusiastic commendations of Manns later writings, such as The Holy Sinner, The Betrayed One and The Confessions of Felix Krull. Their correspondence also touches upon issues of great personal significance, notably the sensitive discussion of the problems of returning from exile to postwar Germany. The letters are extensively annotated and offer the reader detailed notes concerning the writings, events and personalities referred or alluded to in the correspondence.

This book is a contemporary German commentary on World War II, dicussing the extension of Nazi power in terms of death, destruction, concentration camps, and tyranny.

Thomas Mann is widely acknowledged as the greatest German novelist of this century.

Reprint of the original, first published in 1857.

The first five books of the Bible contain many of its most famous stories, populated by vivid characters altogether human in their triumphs and failings--and an equally complicated deity. Many works of Western art and literature appeal to these stories, from Michelangelo's painting of Adam and Eve to a novel like William Faulkner's Go Down, Moses. The three great Abrahamic religions (Judaism, Christianity, and Islam) are rooted here. So is much of Western political theory and constitutional polity, for a good half of these books contains legislation (torah) of various kinds, as indicated by the ancient title: the book of the Torah. Law and narrative together render the character of the ancient covenant community known as Israel, as well as the God who rules over that community. In this revised and expanded version of his popular book of 1988, Mann engages literary criticism and theology in attending both to the composite nature of the Torah (or Pentateuch) and to its final, canonical shape. Mann's study provides a lucid introduction to the heart of the Hebrew Bible, suitable for students and general readers, but also of interest to biblical scholars.