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Sun Yung Shin calls her readers into the unknown now-future of the human species, an underworld museum of births, deaths, evolutions, and extinctions. Personal and environmental violations form the backdrop against which Sun Yung Shin examines questions of grievability, violence, and responsibility in The Wet Hex. Incorporating sources such as her own archival immigration documents, Ovid’s Metamorphoses, Christopher Columbus’s journals, and traditional Korean burial rituals, Shin explores the ways that lives are weighed and bartered. Smashing the hierarchies of god and humanity, heaven and hell, in favor of indigenous Korean shamanism and animism, The Wet Hex layers an apocalyptic revision of nineteenth-century imagery of the sublime over the present, conjuring a reality at once beautiful and terrible.

"Outstanding in all ways, this title deserves a place in most collections and adds a wonderful opportunity for upper elementary students (and higher!) to unpack our complicated histories."—starred, School Library Journal We come from stardust our bodies made of ancient elements. We come from single cells evolving over billions of years. We come from place, language, and spirit. And each of us comes from story. We all come from something. In this unique collaboration, four authors lyrically explore where they each come from—literally and metaphorically—as well as what unites all of us as humans. Weaving together their individual stories, they explore place, ancestors, movement, struggle, determination, and hope. Powerful poetic text and richly layered illustrations bring together past and present, creating an accessible and visually striking look at family, history, and identity.

Spirited and restlessly imaginative, Shin's poems weave a lyrical collage of ancient fragments, fairytale, and both Korean and American history.

A tender look at a biracial child's frustration, anger, and, finally, acceptance about being "half and half."

"Outstanding in all ways, this title deserves a place in most collections and adds a wonderful opportunity for upper elementary students (and higher!) to unpack our complicated histories."—starred, School Library Journal We come from stardust our bodies made of ancient elements. We come from single cells evolving over billions of years. We come from place, language, and spirit. And each of us comes from story. We all come from something. In this unique collaboration, four authors lyrically explore where they each come from—literally and metaphorically—as well as what unites all of us as humans. Weaving together their individual stories, they explore place, ancestors, movement, struggle, determination, and hope. Powerful poetic text and richly layered illustrations bring together past and present, creating an accessible and visually striking look at family, history, and identity.

Revolutions are made out of love for people and for place. This was a core belief of activists and married couple James Boggs and Grace Lee Boggs. From their home in Detroit, Michigan, they thought, fought, and taught together to make the world a better place for all. Their wide-ranging activism spanned the second half of the twentieth century, including civil rights as well as labor unions. Authors Sun Yung Shin and Mélina Mangal present the lives and ideas of James and Grace in an inspiring collection of paired poems with bold mixed-media artwork by debut picture book illustrator Leslie Barlow.

This poetry anthology, edited by Miranda Paul, explores a wide range of ways to be grateful (from gratitude for a puppy to gratitude for family to gratitude for the sky) with poems by a diverse group of contributors, including Joseph Bruchac, Margarita Engle, Cynthia Leitich Smith, Naomi Shihab Nye, Charles Waters, and Jane Yolen.

Praise for Sun Yung Shin: Finalist for the Believer Poetry Award "[her] work reads like redactions, offering fragments to be explored, investigated and interrogated, making her reader equal partner in the creation of meaning."—Star Tribune Sun Yung Shin moves ideas—of identity (Korean, American, adoptee, mother, Catholic, Buddhist) and interest (mythology, science fiction, Sophocles)— around like building blocks, forming and reforming new constructions of what it means to be at home. What is a cyborg but a hybrid creature of excess? A thing that exceeds the sum of its parts. A thing that has extended its powers, enhanced, even superpowered.

Multiple intelligent agent systems are commonly used in research requiring complex behavior. Synchronization control provides an advantage in solving the problem of multi-agent coordination. This book focuses on the use of synchronization control to coordinate the group behavior of multiple agents. The author includes numerous real-world applicatio

Sun Yung Shin calls her readers into the unknown now-future of the human species, an underworld museum of births, deaths, evolutions, and extinctions. Personal and environmental violations form the backdrop against which Sun Yung Shin examines questions of grievability, violence, and responsibility in The Wet Hex. Incorporating sources such as her own archival immigration documents, Ovid’s Metamorphoses, Christopher Columbus’s journals, and traditional Korean burial rituals, Shin explores the ways that lives are weighed and bartered. Smashing the hierarchies of god and humanity, heaven and hell, in favor of indigenous Korean shamanism and animism, The Wet Hex layers an apocalyptic revision of nineteenth-century imagery of the sublime over the present, conjuring a reality at once beautiful and terrible.