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Focusing on Eileen Hogan's depictions of enclosed green spaces and portraiture, this sumptuously illustrated catalogue offers an intimate glimpse into the artist's work and practice.

What force of will and circumstance drove a woman from a comfortable life painting china tea services to one of hardship and loneliness in the battle zones of France and Belgium following the Great War? For western Canadian artist Mary Riter Hamilton (1868-1954), art was her life’s passion. Her tale is one of tragedy and adventure, from homestead beginnings, to genteel drawing rooms in Winnipeg, Victoria and Vancouver, to Berlin and Parisian art schools, to Vimy and Ypres, and finally to illness and poverty in old age. No Man’s Land is the first biographical study of Hamilton, whose work can be found in galleries and art museums throughout Canada. Young and McKinnon’s meticulous research in unpublished private collections brings to light new correspondence between Hamilton and her friends, revealing the importance of female networks to an artist’s well being. Her letters from abroad, in particular, bring a woman’s perspective into the immediate post-war period and give voice to trying conditions. Hamilton’s career is situated within the context of her peers Florence Carlyle, Emily Carr, and Sophie Pemberton with whom she shared a Canadian and European experience.

Beargrass (Xerophyllum tenax (Pursh) Nutt.) is a source of food, habitat, and raw material for animals, pollinating insects, and people across its range in the western United States. The plant has long been used by Native Americans, who harvest the leaves for basketry and other crafts. More recently, beargrass has become an important component of international trade for the commercial floral greens industry. Changes in natural and anthropogenic disturbances are occurring within the range of beargrass, including fire frequency and severity, plant harvest intensity, and land use. This report documents how changes in disturbance patterns might affect beargrass and its associated ecosystem diversity, identifies gaps in knowledge or potential conflicts in human use, and records quantitative and qualitative information on the natural and cultural history of beargrass. We list and discuss some key sociocultural, environmental, and economic issues that relate to managing beargrass and the forested ecosystems in which it grows. These include a lack of information on the main factors affecting beargrass reproduction and persistence, including the importance of pollinators and light environment on plant fitness; differences in desired leaf properties sought by traditional and commercial harvesters; and inconsistent documentation on the volume and properties of harvested beargrass in total and by harvester group. Future research needs include advancing knowledge of the effects of human and natural disturbances on the plant and its habitat, including silvicultural practices, leaf harvest practices, and fire (both prescribed and wild).

The Royal Academy's Summer Exhibition is the world's longest running annual display of contemporary art, and one of its largest. Ever since 1769 the Academy's exhibition rooms have been crowded for some two months each year with thousands of paintings and sculptures by many of Britain's leading artists. These spectacular displays have provided artists with crucial competition, inspiration and publicity, and captured the interest of millions of visitors. The Great Spectacle takes the reader on a fascinating journey to tell the story of these exhibitions. Many treasured works of British art were first shown on the walls of the RA: portraits by Reynolds and Gainsborough, the mighty landscapes of Turner and Constable, and the Pre-Raphaelites, who caused such a critical and cultural furore. The chapter on the twentieth century will reveal the RA's relationship with British modernism, right up to the 2018 Summer Exhibition, which will be coordinated by Grayson Perry CBE RA. AUTHOR: Professor Mark Hallett is Director of Studies at the Paul Mellon Centre for Studies in British Art and author of Reynolds, Portraiture in Action (2014). Dr Sarah Victoria Turner is Assistant Director for Research at the Paul Mellon Centre for Studies in British Art. SELLING POINTS: * A fascinating study of the longest-running annual exhibition of contemporary art, the Royal Academy of Arts Summer Exhibition, illustrated with works by many of the great names of British art including Joshua Reynolds, Thomas Gainsborough, J. M. W. Turner, John Constable, David Hockney, Grayson Perry and Tracey Emin * Accompanies an exhibition at the Royal Academy of Arts from 12 June to 19 August 2018 200 colour images

York was one of the most important cities in medieval England. This original study traces the development of the city from the Norman Conquest to the Black Death. The twelfth and thirteenth centuries are a neglected period in the history of English towns, and this study argues that the period was absolutely fundamental to the development of urban society and that up to now we have misunderstood the reasons for the development of York and its significance within our history because of that neglect. Medieval York argues that the first Norman kings attempted to turn the city into a true northern capital of their new kingdom and had a much more significant impact on the development of the city than has previously been realised. Nevertheless the influence of York Minster, within whose shadow the town had originally developed, remained strong and was instrumental in the emergence of a strong and literate civic communal government in the later twelfth and thirteenth centuries. Many of the earlier Norman initiatives withered as the citizens developed their own institutions of government and social welfare. The primary sources used are records of property ownership and administration, especially charters, and combines these with archaeological evidence from the last thirty years. Much of the emphasis of the book is therefore on the topographical development of the city and the changing social and economic structures associated with property ownership and occupation.

Bodies and their role in cultural discourse have been a constant focus in the humanities and social sciences in recent years, but comparatively few studies exist about Old Norse-Icelandic or early Irish literature. This study aims to redress this imbalance and presents carefully contextualised close readings of medieval texts. The chapters focus on the role of bodies in mediality discourse in various contexts: that of identity in relation to ideas about self and other, of inscribed and marked skin and of natural bodily matters such as defecation, urination and menstruation. By carefully discussing the sources in their cultural contexts, it becomes apparent that medieval Scandinavian and early Irish texts present their very own ideas about bodies and their role in structuring the narrated worlds of the texts. The study presents one of the first systematic examinations of bodies in these two literary traditions in terms of body criticism and emphasises the ingenuity and complexity of medieval texts.

The American Promise is more teachable and memorable than any other U.S. survey text. The balanced narrative braids together political and social history so that students can discern overarching trends as well as individual stories. The voices of hundreds of Americans - from Presidents to pipe fitters, and sharecroppers to suffragettes - animate the past and make concepts memorable. The past comes alive for students through dynamic special features and a stunning and distinctive visual program. Over 775 contemporaneous illustrations - more than any competing text - draw students into the text, and more than 180 full - color maps increase students' geographic literacy. A rich array of special features complements the narrative offering more points of departure for assignments and discussion. Longstanding favorites include Documenting the American Promise, Historical Questions, The Promise of Technology, and Beyond American's Boders, representing a key part of a our effort to increase attention paid to the global context of American history.

The American Promise if more teachable and memorable than any other U.S. survey text. The balanced narrative braids together political and social history so that students can discern overarching trends as well as individual stories. The voices of hundreds of Americans - from Presidents to pipe fitters, and sharecroppers to suffragettes - animate the past and make concepts memorable. The past comes alive for students through dynamic special features and a stunning and distinctive visual program. Over 775 contemporaneous illustrations - more than any competing text - draw students into the text, and more than 180 full - color maps increase students' geographic literacy. A rich array of special features complements the narrative offering more points of departure for assignments and discussion. Longstanding favorites include Documenting the American Promise, Historical Questions, The Promise of Technology, and Beyond American's Boders, representing a key part of a our effort to increase attention paid to the global context of American history.