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An analysis of the Korean War, taking a cultural approach that emphasizes the human dimension of the war. There are chapters on Korean art in the war, translations into English of poetry by Korean soldiers, a study of songs on the war, discussion of war films, and more.

Analyzing the economic, strategic, and cultural elements that shape the attraction--and the friction--between the Pacific and Atlantic communities, this book integrates European perspectives into a discussion that has traditionally been dominated by Asian and U.S. voices. The authors take as their theme the uncertainty created by the Pacific Rim’s new role in shifting the international balances of political and economic power. Economic uncertainty has been fueled by Asia’s trade surpluses with Western Europe and the United States, with the West viewing its system of free world trade as working to the greater advantage of the Asia Pacific. Strategic uncertainty pivots on the U.S.-USSR superpower rivalry and on the growing influence of Japan and the PRC on the strategic balance in the Pacific Basin. A more subtle and powerful constraint surfaces in the realm of culture--in differing perceptions among the people of the Asia Pacific and the West concerning liberal values and the liberal underpinnings of the present system of world trade.

In 1876, Philip Tudor Becher left his wealthy British home in search of adventure. He spent the next several years doing various jobs in San Francisco, Bakersfield, and Chico, California where he found no lack of encounters with dangerous situations. His escapades range from almost getting shot by an angry boss and drunken landlord to falling off a flume while trying to dislodge a log jam and nearly getting killed by a mountain lion. Philip eventually married Ruth Brison and moved his young family to Spokane, Washington where they had run-ins with squatters trying to violently take their land and a criminal gang causing problems. Through it all, Philip and Ruth use their wits, charisma, and innate strength to survive in the early American West.

This text examines the Pacific War, the Korean War and the Vietnam War, from the perspective of those who fought the wars and lived through them. The relationship between history and memory informs the book, and each war is relocated in the historical and cultural experiences of Asian countries.

Even though the cultural approach concerns itself with the local and the particular rather than with the abstract and universal, it is inherently comparative. Moreover, it also relocates each war in the historical and cultural experiences of Asian countries themselves rather than seeing the war as merely a conflict between the United States and Asian nations.

The Hebrew Old Testament, which contains some of the world s most ancient religious texts, was written and repeatedly re-edited over the course of several centuries from about 1000 BCE. It reached its final form at the hands of editors who were monotheists. They believed that their god Yahweh was the only true God, and that he had been worshipped exclusively by their ancestors from the time of Abraham. They edited their sources to reflect this belief. However, we can strip away this veneer of later monotheism to view the ancient stories themselves. These bear witness to Israelite religion as practised before 600 BCE. Far from being monotheistic, this religion was a fascinating polytheistic paganism, close to the religion of the surrounding Canaanites. In this religion, Yahweh, far from being God as understood by modern western monotheism, was a distinctive tribal deity. This book will be of particular interest to the large numbers of western people who come from a broadly Christian or Jewish background but have left those faiths behind to explore paganism or New Age spirituality. ,

The uses, or scripture practices, singled out, relate both to his position as an 'Anglican survivalist' during the Commonwealth and to his acceptance of George Herbert's task of writing 'true hymns': his reading of the Genesis story of Jacob as an analogue for his own experiences as a Christian and as an image of the true Church in the 1650s; his framing of Silex Scintillans as an act of thanksgiving modelled on Hezekiah's song in Isaiah; his construction of a paraliturgical 'rule' of holy living; his exposure of the 'false prophets' of the Last Days prophesied by Christ; and his profoundly scriptural rejection of the fraud (as he saw it) of millenarian religion."--BOOK JACKET.

Out Where the West Begins: Creating and Civilizing the American West, follows the saga of more than one hundred influential men and women--political and military leaders, religious thinkers, civil rights proponents, suffragettes, African American pioneers, writers and artists, explorers and surveyors, architects, inventors, innovators, medical professionals, and conservationists--who together wove the story of early western frontier America. The engaging account of their lives forms a unique tapestry of human experience.