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New poetry collection from Peter Balakian, author of Ozone Journal, winner of the Pulitzer Prize. In these poems, Peter Balakian wrestles with national and global cultural and political realities, including challenges for the human species amid planetary transmutation and the impact of mass violence on the self and culture. At the collection’s heart is “No Sign,” another in Balakian’s series of long-form poems, following “A-Train/Ziggurat/Elegy” and “Ozone Journal,” which appeared in his previous two collections. In this dialogical multi-sectioned poem, an estranged couple encounters each other, after years, on the cliffs of the New Jersey Palisades. The dialogue that ensues reveals the evolution of a kaleidoscopic memory spanning decades, reflecting on the geological history of Earth and the climate crisis, the film Hiroshima Mon Amour, the Vietnam War, a visionary encounter with the George Washington Bridge, and the enduring power of love.. Whether meditating on the sensuality of fruits and vegetables, the COVID-19 pandemic, the trauma and memory of the Armenian genocide, James Baldwin in France, or Arshile Gorky in New York City, Balakian’s layered, elliptical language, wired phrases, and shifting tempos engage both life’s harshness and beauty and define his inventive and distinctive style.

"His visions are burning -- his poetry heartbreaking," wrote Elie Wiesel of American poet Peter Balakian. Now, in elegant prose, the prize-winning poet who James Dickey called "an extraordinary talent" has written a compelling memoir about growing up American in a family that was haunted by a past too fraught with terror to be spoken of openly. Black Dog of Fate is set in the affluent New Jersey suburbs where Balakian -- the firstborn son of his generation -- grew up in a close, extended family. At the center of what was a quintessential American baby boom childhood lay the dark specter of a trauma his forebears had experienced -- the Ottoman Turkish government's extermination of more than a million Armenians in 1915, the century's first genocide. In a story that climaxes to powerful personal and moral revelations, Balakian traces the complex process of discovering the facts of his people's history and the horrifying aftermath of the Turkish government's campaign to cover up one of the worst crimes ever committed against humanity. In describing his awakening to the facts of history, Balakian introduces us to a remarkable family of matriarchs and merchants, physicians, a bishop, and his aunts, two well-known figures in the world of literature. The unforgettable central figure of the story is Balakian's grandmother, a survivor and widow of the Genocide who speaks in fragments of metaphor and myth as she cooks up Armenian delicacies, plays the stock market, and keeps track of the baseball stats of her beloved Yankees. The book is infused with the intense and often comic collision between this family's ancient Near Eastern traditions and the American pop culture of the '50s and '60s.Balakian moves with ease from childhood memory, to history, to his ancestors' lives, to the story of a poet's coming of age. Written with power and grace, Black Dog of Fate unfolds like a tapestry its tale of survival against enormous odds. Through the eyes of a poet, here is the arresting story of a family's journey from its haunted past to a new life in a new world.

In Vise and Shadow, the critically acclaimed poet and memoirist Peter Balakian brings together his most influential essays of the past twenty-five years. He argues that the force of the lyric imagination is able to hold experience under pressure like a vise, while it also shadows history. Precise, lyrical, and eloquent, Balakian's essays explore the ways poetry engages disaster and ingests mass violence without succumbing to the didactic. He gives us new insights into the relationships between trauma, memory, and aesthetic form; his essays on major Armenian voices and the aftermath of genocide are a fresh contribution to contemporary literature and art. Other essays engage painting, collage, song lyrics, and film as forms of enduring lyric knowledge. With a range that includes W. B. Yeats, YeghisheCharents, Joan Didion, Hart Crane, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, Arshile Gorky, and Adrienne Rich, Vise and Shadow offers a cosmopolitan vision of the power and resilience of the human imagination.

In his first book of poems since his highly acclaimed June-tree, Peter Balakian continues to define himself as one of the most distinctive voices of his generation. Exploring history, self, and imagination, as well as his ongoing concerns with catastrophe and trauma, many of Balakian’s new poems wrestle with the aftermath and reverberations of 9/11. Whether reliving the building of the World Trade Towers in the inventive forty-three-section poem that anchors the book, walking the ruins of the Bosnian National Library in Sarajevo, meditating on Andy Warhol’s silk screens, or considering the confluence of music, language, and memory, Balakian continues his meditations on history, as well as on the harshness and beauty of contemporary life, that his readers have enjoyed over the years. In sensual, layered, and sometimes elliptical language, Balakian in Ziggurat explores absence, war, love, and art in a new age of American uncertainty.

The title poem of Peter Balakian's 'Ozone Journal' is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others - the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS - creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico

A New York Times bestseller, The Burning Tigris is “a vivid and comprehensive account” (Los Angeles Times) of the Armenian Genocide and America’s response. Award-winning, critically acclaimed author Peter Balakian presents a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history. Awarded the Raphael Lemkin Prize for the best scholarly book on genocide by the Institute for Genocide Studies at John Jay College of Criminal Justice/CUNY Graduate Center. “Timely and welcome. . . an overwhelmingly convincing retort to genocide deniers.” —New York Times Book Review “A story of multiplying horror and betrayal. . . . What happened to the Armenians in Turkey was a harbinger of the Holocaust and of the waves of modern mass murder that have swept the world ever since.” —Boston Globe “Encourages America to tap into a forgotten well of knowledge about the genocide and to revive its powerful impulse toward humanitarianism.” —New York Newsday

This edition brings back into print the classic memoir by the American ambassador to the Ottoman Empire who not only documented but also tried to stop the genocide of the Armenian people. Originally published in 1918, Ambassador Morgenthau's Story is one of the most insightful and compelling accounts of what became a recurring horror during the twentieth century: ethnic cleansing and genocide. While he served as the U.S. ambassador to the Ottoman Empire under Woodrow Wilson from 1913 to 1916, Henry Morgenthau witnessed the rise of a new nationalism in Turkey, one that declared "Turkey for the Turks." He grew alarmed as he received reports from missionaries and consuls in the interior of Turkey that described deportation and massacre of the Armenians. The ambassador beseeched the U.S. government to intervene, but it refrained, leaving Morgenthau without official leverage. His recourse was to appeal personally to the consciences of Ottoman rulers and their German allies; when that failed, he drew international media attention to the genocide and spearheaded private relief efforts. "The power of Morgenthau's book to move and instruct us eighty years after its publication," writes Roger Smith in his introduction, "is intimately connected with its truthfulness about the atrocities and the men behind them, but also about the capacities of humans to commit enormous evil with a light heart." The memoir also documents the beginnings of U.S. interest in international human rights as well as patterns and symptoms of genocidal tendencies, foreshadowing most notably the Nazi Holocaust.

On April 24, 1915, the author, along with some 250 other intellectuals and leaders of Constantinople's Armenian community, were arrested in the launch of a systematic attempt to eliminate the Armenian minority from Anatolia while countless deportation caravans of Armenians were tortured, raped, slaughtered and mutilated on their way to the Syrian deserts.