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In "Elizabeth: the Disinherited Daughter," Elizabeth Arnold Hitchcock masterfully weaves a narrative that explores the complexities of identity, inheritance, and female agency in a patriarchal society. Through her poignant prose, Hitchcock delves into the life of Elizabeth, who grapples with the repercussions of being sidelined from familial legacies. Her vivid depictions and rich character development evoke a poignant sense of empathy, offering readers a glimpse into the internal and external struggles that define her protagonist in a world that often renders women voiceless. The book balances lyrical language with a stark examination of societal norms, situating it firmly within the literary context of feminist literature and historical fiction. Elizabeth Arnold Hitchcock, a noted author and scholar, draws on her deep understanding of women'Äôs history and literature to craft this compelling story. Her own experiences, enriched by her academic background in gender studies, inform her portrayal of Elizabeth's struggles, reflecting wider societal themes that resonate with contemporary audiences. Hitchcock's keen awareness of the cultural narratives surrounding female inheritance makes this work both a personal and political statement. This book is a must-read for anyone interested in the intersection of gender and identity, as it invites readers to reflect on the legacies we inherit and the voices that often go unheard. Hitchcock'Äôs work not only captivates but also compels engagement with the pressing issues of women's rights and societal expectations, making it a relevant and enriching addition to any literary collection.

Elizabeth: the Disinherited DaughterBy E. Ben Ez-er by Elizabeth Arnold Hitchcock is a rare manuscript, the original residing in some of the great libraries of the world. This book is a reproduction of that original, typed out and formatted to perfection, allowing new generations to enjoy the work. Publishers of the Valley's mission is to bring long out of print manuscripts back to life.

Covent Garden, the cultural heart of London, is notorious for its history, ghosts, and the Old Market. Discover the special places unique to this area. It would be interesting to read about the latest fashionable shops, popular pubs and hotels that existed in Covent Garden a hundred years ago but there is no accurate record as far as I know. This book, therefore, may be of interest in 100 years hence when we are all gone. There are biographies of the people who lived and worked here of course, and some of the restaurants and theatres they visited are still in existence, but in 100 years time, they may be all gone, too. While doing research for this book I came across the writings of theatre people, who had lived and worked in Covent Garden, when I was a student, and who had inspired me, although they were a little before my time. They have a chapter in this book. Clemence Dane, (Winifred Ashton) Alan Dent, Angus McBean, James Agate all wrote about the area and their stories make fascinating reading.

The new edition of this influential work updates and expands the scope of the original, including more sustained analyses of individual films, from The Birth of a Nation to The Wolf of Wall Street. An interdisciplinary exploration of the relationship between American politics and popular films of all kinds—including comedy, science fiction, melodrama, and action-adventure—Projecting Politics offers original approaches to determining the political contours of films, and to connecting cinematic language to political messaging. A new chapter covering 2000 to 2013 updates the decade-by-decade look at the Washington-Hollywood nexus, with special areas of focus including the post-9/11 increase in political films, the rise of political war films, and films about the 2008 economic recession. The new edition also considers recent developments such as the Citizens United Supreme Court decision, the controversy sparked by the film Zero Dark Thirty, newer generation actor-activists, and the effects of shifting industrial financing structures on political content. A new chapter addresses the resurgence of the disaster-apocalyptic film genre with particular attention paid to its themes of political nostalgia and the turn to global settings and audiences. Updated and expanded chapters on nonfiction film and advocacy documentaries, the politics of race and African-American film, and women and gender in political films round out this expansive, timely new work. A companion website offers two additional appendices and further materials for those using the book in class.

German history films that focus on utopianism and political dissent and their effect on German identity since 1989. Since unification, a radical shift has taken place in Germans' view of their country's immediate past, with 1989 replacing 1945 as the primary caesura. The cold-war division, the failed socialist state, the '68 student movement, and the Red Army Faction -- historical flashpoints involving political oppression, civil disobedience, and the longing for utopian solutions to social injustice -- have come to be seen as decisive moments in a collective history that unites East and West even as it divides them. Telling stories about a shared past, establishing foundational myths, and finding commonalities of experience are pivotal steps in the construction of national identity. Such nation-building is always incomplete, but the cinema provides an important forum in which notions of German history and national identity can be consumed, negotiated, and contested. This book looks at history films made since 1989, exploring how utopianism and political dissent have shaped German identity. It studies the genre - including popular successes, critical successes, and perceived failures - as a set of texts and a discursive network, gauging which conventions and storylines are resilient. At issue is the overriding question: to what extent do these films contribute to a narrative that legitimizes the German nation-state? Mary-Elizabeth O'Brien is Professor of Germanand The Courtney and Steven Ross Chair in Interdisciplinary Studies at Skidmore College.

We successfully completed Thanksgiving, but now we’re trapped in the dead zone between roast turkey and roasting chestnuts. When our first December issue arrives, we’ll kick off holiday celebrations anew, though, with more great novels and short stories. But in the meantime, we have an original crime story by the always-masterful Elizabeth Elwood (thanks to Acquiring editor Michael Bracken), a post-Thanksgiving treat by Stacy Woodson (thanks to Acquiring Editor Barb Goffman), a mystery classic by Stephen Wasylyk, and part 2 of Tiger Island, the only novel from acclaimed short story author Jack Ritchie. Plus, of course, a solve-it-yourself puzzler from Hal Charles. On the more fantastic end of things, Anna Tambour works wonders with “orms”… Tom Purdom shows there’s still a place for individualism in the future… Algis Budrys brings a detective down the mean streets of the future, in search of a missing man… A. Earley has a sugary tale of (among many things) Russian aggression in the future… And we have part 2 of Francis Jarman’s historical fantasy, The Eagle’s Wing. Good stuff! Here’s the complete lineup: Mysteries / Suspense / Adventure: “The Devil and the Deep Blue Sea,” by Elizabeth Elwood [Michael Bracken Presents short story] “What’s Wrong with this Picture?” by Hal Charles [Solve-It-Yourself Mystery] “The Final Course,” by Stacy Woodson [Barb Goffman Presents short story] “The Web,” by Stephen Wasylyk [short story] Tiger Island, by Jack Ritchie [serial novel, part 2 of 3] “Between the Dark and the Daylight,” by Algis Budrys [short story] Science Fiction & Fantasy: “The Age of Fish, Post-Flowers” by Anna Tambour [short story] “The Man Who Wouldn’t Sign Up,” by Tom Purdom [short story] “Between the Dark and the Daylight,” by Algis Budrys [short story] “And It Was Good,” by [short story] The Eagle’s Wing, by Francis Jarman [serial novel, part 2 of 4]

A guide to references commonly used in speech and writing. Explains more than 900 allusions. Entries include examples from todays leading media. A must for serious readers, language lovers, and ESL students.

"Consistently rated the best guides to the regions covered...Readable, tasteful, appealingly designed. Strong on dining, lodging, and history."—National Geographic Traveler Distinctive for their accuracy, simplicity, and conversational tone, the diverse travel guides in our Explorer's Great Destinations series meet the conflicting demands of the modern traveler. They're packed full of up-to-date information to help plan the perfect gateway. And they're compact and light enough to come along for the ride. A tool you'll turn to before, during, and after your trip, these guides include these helpful features: Chapters on lodging, dining, transportation, history, shopping, recreation and more! A section packed with practical information, such as lists of banks, hospitals, post offices, laundromats, numbers for police, fire, and rescue, and other relevant information Maps of regions and locales Explorer's Guide The Adirondack Book is a detailed, insider's guide to Adirondack Park and its gateway cities, including Saratoga Springs, Glens Falls, Lake George, and Lake Placid.

The iconic photo of Bonnie Parker—cigar clenched in jaw, pistol in hand—says it all: America loves its bad girls. Now Mary Elizabeth Strunk tells us why. Wanted Women is a startling look at the lives—and legends—of ten female outlaws who gained notoriety during the tumultuous decades that bracketed the tenure of FBI director J. Edgar Hoover. Strunk looks at real-life events and fictional portrayals to decipher what our obsession with these women says about shifting gender roles, evolving law-enforcement practices, and American cultural attitudes in general. These women's stories reveal what it takes-and what it has meant--to be a high-profile female lawbreaker in America. Strunk introduces us to Kathryn "Mrs. Machine Gun" Kelly, Ma Barker, and Bonnie Parker from the 1930s, and, from the 1970s, we meet heiress-turned-revolutionary Patty Hearst, five other women of the Symbionese Liberation Army, and Black Panther Assata Shakur. All saw themselves as struggling against an oppressive legal system. All became "wanted" criminals and would play a part in shaping Hoover's legacy. And all spent enormous amounts of energy attempting to manipulate public opinion in their favor. Strunk argues that each woman's public persona was to some degree invented by Hoover, who saw outlaw women as an alarming threat to public morality. He went after them with a vengeance, but in many ways his obsession only added to their reputations. Strunk shows how Hoover's repeated use of popular culture to publicize the threat of violent women initially succeeded in strengthening his FBI, but his approach became a liability by the time law enforcement was pitted against the women outlaws of the 1970s. The book chronicles the careers of these infamous outlaws both in the real world and in popular culture—film, ads, true-crime stories, autobiographies—as well as Hoover's own forays into filmmaking. It boasts 27 compelling images of movie stills, wanted posters, and other ephemera that have been assembled nowhere else, including rarely reproduced SLA artifacts. Strunk's book is the first study to define the narrow "formula" necessary for a woman to cross over from criminal to outlaw. Hitting on key notes of American culture from Black and gender studies to cinematic and legal history, Wanted Women sets a new benchmark for how we view women and crime as it contributes fresh insights into twentieth-century social history.

From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media. Even in our world of social media and electronic devices, she argues, few forms of graphic design can rival posters for sheer spatial presence, and they provide new opportunities to communicate across public spaces in cities around the globe. Guffey charts the rise of the poster from the revolutionary lithographs that papered nineteenth-century London and Paris to twentieth-century works of propaganda, advertising, pop culture, and protest. Examining contemporary examples, she discusses Palestinian martyr posters and West African posters that describe voodoo activities or Internet con men, stopping along the way to uncover a rich variety of posters from the Soviet Union, China, the United States, and more. Featuring 150 stunning images, this illuminating book delivers a fresh look at the poster and offers revealing insights into the designs and practices of our twenty-first-century world.