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For more than twenty years, David Piscuskas and Juergen Riehm, principals of 1100 Architect, have honed a distinctive architecture informed by proportion, materiality, light, and detail. The firm's designs do not adhere to any specific stylistic codes but do share an understated architectural signature: an elegance of proportion, an innovative yet direct use of materials, a meticulous execution. A sequel to the best-selling 1100 Architect (1997), this new monograph includes twenty recent buildings and projects, notably Little Red School House and Elisabeth Irwin High School and the Irish Hunger Memorial, in New York City, and the Naha City Gallery and Apartment House, in Japan. The firm's work encompasses cultural, institutional, residential, and commercial work. In addition to a perceptive essay by a long-time observer of the firm's work, the partners discuss five design elements essential to their practice: detail, materiality, effortlessness, permeability, and recognition.

Issued in connection with an exhibition held June 7 through Nov 6, 2011, at the Museum of the City of New York.

Indisputably the grande dame of modern design, Andrée Putman burst onto the scene twenty-five years ago with the graphic, black-and-white interiors of the Morgans Hotel in New York. Since then Putman has gone on to redefine design for a diverse group of prestigious clients, including Karl Lagerfeld, the French Ministry of Culture, and the interior of the supersonic Concorde. Projects since 1980 range from museum interiors, a jewelry line for Christofle, private residences for global trendsetters, and a film set for Peter Greenaway. Putman’s work is the epitome of chic, incorporating cashmere and leather with affordable ceramic tiles and industrial metals for interiors that speak volumes for Putman’s unmistakable style of quiet luxury. The same attention to detail is given to a simple necklace as to furniture collections, grand offices, and entire spa hotels. Putman is also credited for the revival of once-forgotten early modernist designers, such as Eileen Gray, Robert Mallet-Stevens, and Jean-Michel Frank, whose designs she put back into production and used in her famous interiors. The first comprehensive monograph on Putman’s essential designs in 20 years, Andrée Putman Complete Works will be an indispensable road map of style and elegance to all lovers of modern design.

During the late 1920s and early 1930s, architectural photographer Samuel H. Gottscho created a portrait of New York as a modern metropolis. This book presents more than 170 images of the city and provides a window to New York architecture and design of that era.

Written and assembled by three leading critics and curators, Donald Albrecht, Ellen Lupton, and Steven Skov Holt, the book explores the design artifacts and practices that will define the twenty-first century."--BOOK JACKET.

Russell are complemented by four photographic essays of historic images as well as new photographs by Steven Brooke."--BOOK JACKET.

Modern hotels are expected to offer more than a bed for the night. The hotels featured in this colour-illustrated volume reflect the best in modern design and cater to the demands of rich people with an eye for something distinct and different.

Uncovering the lost history of gay, lesbian, bisexual, and transgender artists in New York City. Queer people have always flocked to New York seeking freedom, forging close-knit groups for support and inspiration. Gay Gotham brings to life the countercultural artistic communities that sprang up over the last hundred years, a creative class whose radical ideas would determine much of modern culture. More than 200 images—both works of art, such as paintings and photographs, as well as letters, snapshots, and ephemera—illuminate their personal bonds, scandal-provoking secrets at the time and many largely unknown to the public since. Starting with the bohemian era of the 1910s and 1920s, when the pansy craze drew voyeurs of all types to Greenwich Village and Harlem, the book winds through midcentury Broadway as well as Fire Island as it emerged as a hotbed, turns to the post-Stonewall, decade-long wild party that revolved around clubs like the Mineshaft and Studio 54, and continues all the way through the activist mobilization spurred by the AIDS crisis and the move toward acceptance at the century’s close. Throughout, readers encounter famous figures, from James Baldwin and Mae West to Leonard Bernstein, and discover lesser-known ones, such as Harmony Hammond, Greer Lankton, and Richard Bruce Nugent. Surprising relationships emerge: Andy Warhol and Mercedes de Acosta, Robert Mapplethorpe and Cecil Beaton, George Platt Lynes and Gertrude Stein. By peeling back the overlapping layers of this cultural network that thrived despite its illicitness, this groundbreaking publication reveals a whole new side of the history of New York and celebrates the power of artistic collaboration to transcend oppression.

This elegantly designed book features new photography and essays examining Safdie's role in the move toward architectural globalisation.

A survey of American design that cuts across the disciplines of architecture, product design and graphic design. It accompanies the first in a series of triennials to be held at the Smithsonian National Design Museum, covering the period 1997-2000 and involving over 80 individuals and firms.