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First Published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.

Bollas offers an original and illuminating theory of hysteria that weaves its well-known features - repressed sexual ideas; indifference to conversions; over-identification with the other - into the hysteric form.

It is important to point out that these essays are about character types; it is not to suggest that all borderlines, narcissists or manic depressives are the same. Everyone is an individual and are who they are for many different reasons. What they have in common is a typical relation between their subjectivity and the world they inhabit. In other words, Christopher Bollas has identified the axioms that these individuals share. Following a discussion of the features of each type, the axioms are delivered in the character's own voice. By placing ourselves within their own logic, we can begin to identify and empathise with them. At the root of all character disorders there is mental pain and each disorder is an intelligent attempt to solve an existential problem. If the clinician can grasp their specific intelligence and help the analysand to understand this, then a natural process of healing can begin. Three Characters is a masterclass based on decades of lectures presented to psychoanalysts, analytical psychologists, and psychotherapists, and is a must-read for all psychoanalytic enthusiasts.

In this exploration of a radical approach to the psychoanalytical treatment of people on the verge of mental breakdown, Christopher Bollas offers a new and courageous clinical paradigm. He suggests that the unconscious purpose of breakdown is to present the self to the other for transformative understanding; to have its core distress met and understood directly. If caught in time, a breakdown can become a breakthrough. It is an event imbued with the most profound personal significance, but it requires deep understanding if its meaning is to be released to its transformative potential. Bollas believes that hospitalization, intensive medication and CBT/DBT all negate this opportunity, and he proposes that many of these patients should instead be offered extended, intensive psychoanalysis. This book will be of interest to clinicians who find that, with patients on the verge of breakdown, conventional psychoanalytical work is insufficient to meet the emerging crisis. However, Bollas's challenging proposal will provoke many questions and in the final section of the book some of these are raised by Sacha Bollas and presented in a question-and-answer form.

Basing his view on the object relations theories of the "British School" of psychoanalysis, Christopher Bollas examines the human subject's memories of its earliest experiences (during infancy and childhood) of the object, whether it be mother, father, or self. He explains in well-written and non-technical language how the object can affect the child, or "cast in shadow," without the child being able to process this relation through mental representations of language.

In Christopher Bollas' Streams of Consciousness, a wide spectrum of theory and practice are explored, sometimes appearing in simple fragments, sometimes via complex lines of thinking that are developed in detail over time. As Bollas revisits the received truths and dogmas of his profession - including his own prejudices - he demonstrates the value of open, intelligent uncertainty. Interspersed with clinical preoccupations, which highlight the richness as well as the bewildering complexity of psychoanalysis, we find other ideas that reflect his early life as political activist, literature professor, and cultural critic. Throughout, the notebooks are enriched by references to the work of numerous writers in many fields who have influenced his thinking. This work is essential reading for all with an interest in psychoanalysis which will enrich both academic study and clinical practice.

In his latest book Christopher Bollas uses detailed studies of real clinical practice to illuminate a theory of psychoanalysis which privileges the human impulse to question. From earliest childhood to the end of our lives, we are driven by this impulse in its varying forms, and The Infinite Question illustrates how Freud's free associative method provides both patient and analyst with answers and, in turn, with an ongoing interplay of further questions. At the book's core are transcripts of real analytical sessions, accompanied by parallel commentaries which highlight key aspects of the free associative method in practice. These transcripts are contextualised by further discussion of the cases themselves, as well as a wider theoretical framework which places its emphasis on Freud's theory of the logic of sequence: by learning to listen to this free associative logic, Bollas argues, we can discover a richer and more complex unconscious voice than if we rely solely on Freud's theory of repressed ideas. Bollas demonstrates, in an eloquent and persuasive manner, how the Freudian position of evenly suspended attentiveness enables the analyst's unconscious to catch the drift of the patient's own unconscious. He also shows that to stimulate further questioning is often of more benefit to the analytical process than to jump to an interpretation. Yet whatever fascinating course a session may take, neither the patient nor the analyst can halt the progress of the self-propelling interrogative drive. The Infinite Question will be invaluable to both the new student and the experienced psychoanalyst, read either on its own or as a practice-based extension of the theoretical ideas elaborated in its companion volume, The Evocative Object World (also published by Routledge).

Meaning and Melancholia: Life in the Age of Bewilderment sees Christopher Bollas apply his creative and innovative psychoanalytic thinking to various contemporary social, cultural and political themes. This book offers an incisive exploration of powerful trends within, and between, nations in the West over the past two hundred years. The author traces shifts in psychological forces and ‘frames of mind’, that have resulted in a crucial ‘intellectual climate change’. He contends that recent decades have seen rapid and significant transformations in how we define our ‘selves’, as a new emphasis on instant connectedness has come to replace reflectiveness and introspection. Bollas argues that this trend has culminated in the current rise of psychophobia; a fear of the mind and a rejection of depth psychologies that has paved the way for what he sees as hate based solutions to world problems, such as the victory of Trump in America and Brexit in the United Kingdom. He maintains that, if we are to counter the threat to democracy posed by these changes and refind a more balanced concept of the self within society, we must put psychological insight at the heart of a new kind of analysis of culture and society. This remarkable, thought-provoking book will appeal to anyone interested in politics, social policy and cultural studies, and in the gaining of insight into the ongoing challenges faced by the Western democracies and the global community.

Christopher Bollas presents us with a new literary form in his Conversations: twenty-three unique dialogues to captivate, amuse, and inspire. The psychoanalyst Paula Heimann asked: 'Who is speaking? To whom? About what? And why now?' We speak with the voice and position of many others - mothers, fathers, siblings, teachers - and ordinary conversation therefore stages the history of our interpersonal engagements. Heimann's questions also apply when we talk to ourselves, and our inner dialogues reveal the hidden genius of our private world in which we are both actor and audience, poet and reader, politician and electorate. It's quite a ride, and an art form all of its own.

Essential Aloneness presents a series of lectures on DW Winnicott delivered by Christopher Bollas in the 1980s to students and staff of the Institute of Child Neuropsychiatry at the University of Rome. Those attending were familiar with Winnicott's works; indeed, many were expert. But a question remained. How do you use Winnicott's concepts in the clinical space? Bollas not only addresses that question but also writes about his own clinical formulations at the time, such as 'the transformational object' or 'the unthought known.' Each chapter contains a unique and distinct talk, as delivered and suffused with the aliveness that is a hallmark of in-person lectures, with Bollas exhibiting a remarkable flexibility of scope and focus in order to meet the attendant group's clinical interests. The book teems with questions of Winnicottian psychoanalytic theory and practice no less relevant today than when the lectures were first delivered. These questions identify the subtle and complex positions taken by Winnicott, as understood by Bollas and other analysts in the United Kingdom and in Italy, who worked with him and knew how to make use of the Winnicott object. One of Winnicott's literary editors, Bollas brings a unique perspective in real time to the challenges Winnicott's thinking posed to the psychoanalytical, literary, and intellectual culture in the United Kingdom and abroad in the decade after Winnicott's death.