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There are many studies of local communities during their heydays, but the life of a community in decline is rarely studied. The Once and Future Silver Queen of the Rockies delves into the life of Georgetown, Colorado, after the turn of the twentieth century as mining in Clear Creek County steadily declined and ultimately collapsed. One of the earliest mining communities in the state, Georgetown began to struggle for survival as the nineteenth century drew to a close. The price of silver dropped precipitously while other mining camps were still opening around the region. The new, bright future once envisioned for the “Silver Queen of the Rockies” began to fade. Yet the community managed to survive and re-create itself in the new world of the twentieth century. Tourism, skiing, and historic preservation replaced mineral extraction as the basis of the regional economy. Today, Georgetown maintains the aesthetic feel of a nineteenth-century mining town and stands as an example of community-supported historic preservation. This richly illustrated sequel to The Rise of the Silver Queen tells the compelling story of Georgetown’s survival, and ultimate flourishing, after the loss of its principal industry. It is an interesting and engaging addition to the history of Colorado and the West.

Musicals, it is often said, burst into song and dance when mere words can no longer convey the emotion. This book argues that musicals burst into song and dance when one body can no longer convey the emotion. Rogers shows how the musical’s episodes of burlesque and minstrelsy model the kinds of radical relationships that the genre works to create across the different bodies of its performers, spectators, and creators every time the musical bursts into song. These radical relationships—borne of the musical’s obsessions with “bad” performances of gender and race—are the root of the genre’s progressive play with identity, and thus the source of its subcultural power. However, this leads to an ethical dilemma: Are the musical’s progressive politics thus rooted in its embrace of regressive entertainments like burlesque and minstrelsy? The Song Is You shows how musicals return again and again to this question, and grapple with a guilt that its joyous pleasures are based on exploiting the laboring bodies of its performers. Rogers argues that the discourse of “integration”—which claims that songs should advance the plot—has functioned to deny the radical work that the musical undertakes every time it transitions into song and dance. Looking at musicals from The Black Crook to Hamilton, Rogers confronts the gendered and racial dynamics that have always under-girded the genre, and asks how we move forward.

The history of the United Firefighters Union (UFU) in Queensland is an unusual and inspiring story. In an era of large amalgamated unions it remains a small union, servicing the special needs of firefighters and at a time when only 20 percent of Australian workers belong to a trade union the UFU still commands the loyalty of virtually all Queensland firefighters.While most Australian unions have been in existence since at least the early twentieth century the UFU was only registered in Queensland in 1976. Prior to this date, firefighters belonged to the Australian Workers Union. They only secured their own union after a bitter four-year dispute in Rockhampton that involved the dismissal and eventual reinstatement of that city's UFU firefighters.If the UFU is an unusual union then firefighters are also atypical unionists. Most of their working lives are spent carrying out routine training drills. But, at any moment, this routine can be interrupted by a 'call-out' where they can be exposed to mayhem and traumatic death. Fire fighting demands the highest levels of physical fitness, experience and courage. It also requires the capacity to behave, in all circumstances, as a team member rather than as an individual.While a sense of 'mateship' is common in most jobs the dangers inherent in fire fighting create special bonds. Such bonds have created a unique, tightly-knit workforce whose solidarity is reflected in their union.

"When we think of environmental action, we draw upon images from the disaster of Love Canal or from A Civil Action - stories of lone activists fighting the government or some corporation against all odds. In their provocative essay, Sabel, Fung, and Karkkainen demonstrate that an effective alternative is emerging. Before environmental disasters occur, citizen groups are collaborating with experts, business leaders, and local and federal governments to figure out what is best for their own neighborhoods. These examples point to more than successful environmental action: they represent a model of grassroots democracy that can be applied to the needs of any community"--Back cover.

Updated and revised with subject and scripture index.Grace & Truth Volume 2 is a collection of theological essays on Bible interpretation, aiming to edify believers. It features contributions from various authors, covering diverse aspects of hermeneutics and theological methodology. The book emphasizes a literal, grammatical, historical approach to Bible study, advocating for a dispensational worldview. Specific topics addressed include the importance of proper interpretation, the nature of inspiration, different interpretative methods (allegorical, historical-grammatical, trinitarian, deconstruction, complementary), and the application of these methods to various biblical passages (e.g., Genesis 1-3, John 6:24-71, Revelation 2-3, Matthew 16 and the parables). The book also discusses the importance of a proper theological method which uses the Bible itself as its authority, prioritizing a consistent approach across scriptures and avoiding subjective or arbitrary interpretations.

Concerning Bennoch's own writing and that of others, including Nathaniel Hawthorne, Sir Walter Scott, Mary Mitford, and Bret Harte; mentioning some of the social causes with which Bennoch was involved, such as refugee relief, certain public works, and education; discussing the Crimean War and its veterans; regarding his membership in the antiquarian group called the Noviomagus Society.