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A Voice in the Box
A Voice in the Box
A National Public Radio veteran and a satellite radio pioneer discusses his influential life in radio.
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Irresponsible Freaks
Irresponsible Freaks
Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!"
Available for purchase
Irresponsible Freaks, Highball Guzzlers & Unabashed Grafters
Irresponsible Freaks, Highball Guzzlers & Unabashed Grafters
Bob Edwards, the Great White North's equivalent to H. L. Mencken, remains a singular figure in Canadian journalism. His newspapers, published in Wetaskiwin, Leduc, High River, Strathcona, Winnipeg, Port Arthur, and most famously Calgary, skewered politics, society, and business leaders with a fearlessness and outrageousness rarely seen then, now, or in between. As editor James Martin points out in his illuminating introduction, Bob Edwards seems more modern the farther back in history he recedes; he was the granddaddy of Gonzo Journalism à la Hunter S. Thompson, a freewheeling cultural critic in the spirit of Lester Bangs, a pioneer of satirical reform as evidenced in Frank magazine, and a spoofer of the po-faced reporting of his day in precisely the same way that The Onion is now. Irresponsible Freaks, Highball Guzzlers and Unabashed Grafters features mountains of Edwards's superb aphorisms, a generous helping of his longer and lesser-known works, and some choice items which have never before seen print, as well as miraculous archival discoveries and many cartoons from Edwards's celebrated Eye Opener. It is a welcome addition to the Bob Edwards canon for those who thought they knew everything about him, and an eye-opening introduction to the uninitiated: "He was writing this stuff a hundred years ago!"
Preview available
Let My People Go: a Call to End the Oppression of Women in the Church
Let My People Go: a Call to End the Oppression of Women in the Church
Patriarchy (the male domination of women) is an oppressive cultural norm with a history that predates Christianity. Fortunately, it is fading from our global community. Unfortunately, it persists in the religious traditions of some corners of the institutional church. This book examines how patriarchy became enshrined in church tradition, both Catholic and Protestant. It also explores why male domination continues to oppress women in the church today. It concludes by offering women and men an egalitarian alternative to patriarchy, best exemplified by the life and teachings of Jesus Christ. In this second edition of the book, the author delves more deeply into issues related to Bible translation and the cultural context of the New Testament church.
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A God I'd Like to Meet
A God I'd Like to Meet
Throughout history, prominent theologians and church leaders have made sense of the Bible through the interpretive lenses of ancient Greek philosophy. As a result, our traditional beliefs often portray God as an all-controlling deity that frowns on emotion and subjects women to male authority. Throughout this book, the author explores the origins of these theological traditions, and seeks to restore a vision of God as depicted in the New Testament -- a vision of God as Love.
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