Matthais Meyer's paintings of cityscapes and landscapes combine and collide Monet's lusciously dissolved figuration with Gerhard Richter's harrowed, striated abstraction. (Meyer was a student of Richter's at the Düsseldorf Academy in the early 1990s.) On What Is Really Seen reproduces works from 2005 to the present.
Book Details
- Country: US
- Published: 2011
- Publisher: Kerber
- Language: de
- Pages: 143
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