Hall became one of western Oregon's most expressive visual interpreters, focusing for most of his lifetime on the terrain of the Willamette Valley, the mountains that enclose it, and the Pacific coast beyond. In exploring Hall's place in Pacific Northwest and American art, this book is a study of regional art and art history, of the interplay betwen regional and national art production in the periods before and after World War II, and of Hall's metaphorical use of natural forms as the basis for personal expression.