Titian's decorous, but hardly restrained, paintings became established examples for Baroque painters, suggesting new ways to interpret the Counter Reformation and art. This book examines issues of sensuality and violence in Titian's religious paintings in the context of the changing religious climate of sixteenth-century Venice. Rather than distinguish between sacred or secular subjects, Titian used different criteria for paintings of different sizes, locations, or subjects.
Book Details
- Country: US
- Published: 2005-03-07
- Publisher: Cambridge University Press
- Language: English
- Pages: 290
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