It is Ian Angus's aim here to explore thoroughly the philosophical implications of this shift. He does so by combining serious philosophical reflection with an analysis of the media, which draws on both the phenomenological tradition and the political concerns of the Frankfurt School, post-Marxism and radical democracy. Ranging over the work of Heidegger, Gramsci, Husserl, Levinas, McLuhan and many others, (Dis)figurations is not merely an analytic enterprise however; it is a comprehensive attempt at rethinking the whole project of a critical philosophy.