The astonishing range of programmes broadcast in this period includes some of the most interesting, creative, and political engagements with ideas from and about ancient Greece in twentieth-century Britain. From talks to schools and adult education groups, creative re-imaginings of ancient historical texts written and broadcast as Second World War propaganda, and scores of performances of Greek tragedy, comedy, and their modern adaptations, Wrigley draws on the vast amount of evidence that exists in the written archives (both for production processes and also listeners' responses) to develop a full understanding of the role of the radio medium in public engagements with ancient Greece in twentieth-century Britain.