Applying this kind of compositional process to the Gospel of Mark, Sabin uncovers a fresh reading of the seed, fig tree, and vineyard parables; of the various Temple scenes; of the foolish disciples and the wise women; and of the controversial ending. She highlights the results of her findings by juxtaposing them with interpretations of the same passages given by various church fathers such as Origen, Irenaeus, and Bede, as well as by readings from the twentieth century. The results are provocative.
Sabin sees Mark as an original theologian shaping his material out of two primary Jewish traditions: the Wisdom traditions, with their emphasis on God's presence in daily life, and Creation theology, which imagined the End Time not as a catastrophe but as a return to the Garden. She thus offers a new way of understanding Mark's use of Scripture, his eschatology, and his presentation of Jesus.
In conclusion, she argues that retrieving Mark's voice in the context of Early Judaism brings with it insights much needed in our day: of God's presence in the ordinary; of God's image reflected in female as well as male; of watchfulness as the way of wisdom; of God's revelation as ongoing.